Destroy all Destroyers

Archive

The Future is a Constant Thrill

Do you think about the future?

Does it get you excited? Or maybe it fills you with fear and loathing. Maybe your outlook is shaped by the possibility of higher returns from your investment portfolio, driven by extractive and deregulated technologies, inhumane policies that ignore the needs of the commons, while rewarding the private sector and willfully ignoring climate and vaccine science.

Lol. How pessimistic of me.

Maybe it’s a constant thrill because you’re just some dude/ette who instinctively knows that the only relief any of us will get is when sweet death takes us because we can’t afford to survive a burning planet suffering under the crushing weight of a right-wing, techno-accelerationist fever dream. (“BTW, we found your data in a recent security breach. Have you updated to our latest software release, powered by AI? You don’t have to think anymore. Your cognitive abilities are now our IP.”) Death is the only certainty in life, and if there is one thing humans love, is rigid and fixed belief in things we can’t control.

#42
September 3, 2025
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Upcoming shows and newsletter change

Dead Sharp is now on all streaming platforms

My last email announced my latest solo album release Burzum Funtime. Thanks to everyone who checked it out. Those of you who purchased a copy are the world’s greatest humans (If you have not, you can get my whole discography for $14.95). I understand bandcamp.com is not the most accessible for those who don’t purchase music regularly, but prefer the convenience of streaming services. Well, you are in luck. Hit this link to find me on all the majors.

Burzum Funtime, now streaming on all services. Mostly.
#41
August 12, 2025
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New solo album out today

Album cover for Burzum Funtime featuring drawn abstract marks in pink paint pen and graphite with the text "Dead Sharp" centered at the top and "Burzum Funtime" centered at the bottom.

Hiya. I know. I’ve been away. To catch you up real quick - Summer was great. Fall was fine. Holidays were busy. Things have breaking all over my house. I discovered rats in the attic. A billionaire sociopath and his spray-tanned lapdog are scamming Americans one government agency at a time. Everything is fine.

Let us proceed.

#39
March 11, 2025
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New work opening this Friday in Eugene

August is Courtney month and I’m your feel-good hit of the summer

I haven’t written in a hot minute because I wanted to give everyone a breather. Honestly, too much of me is never bad for you. But I wanted to make sure that by the time we get to August, you are like, “DAAAAAAMN GIMME SOME OF THAT SWEET SWEET COURTNEY NECTAR.”

Grab a straw. The time is now.

#38
July 30, 2024
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Sorting your insides

This past week or so I’ve been thinking about the components that make up my art practice. Not the various media I work in, or materials I use, but rather the things I think about and pay attention to when I’m not making art, but end up informing my work. I’ve even gone so far as to break it all down in a mindmap to help “see the forest” as it were.

This is my world processor. There are many like it, but this one is mine.

I needed to remind myself of what the core of my practice is. Work and family life have been more busy and distracting as of late. I’ve still been drawing pretty steadily, but in the last month felt myself “detaching” from my work. I’ve been feeling constrained by my studio space in a way I find irritating at the moment. Some of that has to do with some day job upheaval, and sharing studio space with my jobby-job workspace. Some of that, I think, is just reaching the end of the runway and not feeling the plane lift off the ground in a way I feel good about.

#37
April 24, 2024
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Subconscious re-runs

Prologue:

Over the winter holiday break I had some time off work and instead of lazing around, I finally cracked the seal on excavating a large number of boxes we’d been storing for an embarrassing number of years. We moved into our current house 2.5 years ago, and as we unpacked the final van load and settled in, my wife immediately began grad school. This halted any energy to get rid of all those boxes we didn’t have time to look through before we moved. Long story short, I’m excellent at creating stacks and piles of things, and very bad at sifting through, and getting rid of, said stacks and piles of things.

SO, as a gift to my wife and my future self, I started the new year right and eliminated dozens of cardboard boxes and plastic tubs full of everything from old artwork and desk items from past jobs, to dead media and random cleaning supplies from the move. Among the anthropological artifacts were several bins containing items from my childhood: school papers, photos, yearbooks, and all kinds of collected paraphernalia that had meaning at one point, but now had the musty film of time coating its browned edges.

#36
April 15, 2024
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On constraints, opportunity, and not losing your shit

I was reading about disaster capitalism this week. A term coined by Naomi Klein in her book The Shock Doctrine (2008) to describe how corporations and private interests exploit vulnerable countries and cities in the wake of crises. It was referenced in the book Caps Lock - How Capitalism Took Hold of Graphic Design And How To Escape From It (2021) by Ruben Pater, which I am in the middle of, and quite enjoying.

Anyway, the author was making the point that while whole industries benefit from war and natural disasters, graphic designers have been right there alongside those opportunists helping them hone their messaging, or refine the life-saving products they need to survive. It's true. Designers have been getting paid by the wealthy to help them stay wealthy since the first scribes chiseled Hammurabi's code into stone. Branding irons used to stamp crates, cattle, and other humans were "designed." So has been money, the shape of a bomb, and even that horrible stench that blows out of a Sephora when you walk by. Economic models aside, creative energy is often operating at its highest and most focused levels when something has gone wrong, or resources are limited.

#35
February 21, 2024
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Let me start from the beginning

This was just lying around so I put it here.

Hello dear friends. I have a lot going on since the big wheel in the sky clicked over to 2024. I figured I’d get back into the writing groove with an update on some studio/life things. I’ll try not to over-think or linger. You are busy, and time is money.

#34
February 12, 2024
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Life punctuated by brief moments of creativity

A side / B side

Yesterday I worked on a painting - the first bit of visual art I’ve touched in many moons. The last several weeks have been very busy. I’ve found moments of time to do things here and there but these have typically been “studio tasks” - updating, fixing, throwing out - rather than focused making time. For example, last week I wanted to put together some new contact mics to use in my music projects. I had my soldering iron setup near my work desk, so in between meetings or breaks in the day I could pop over to my table and solder a couple of things in place. During another free moment I went to my mixer in the next room, plugged it in and tested to see if it worked. Then I went back to work. That contact mic is still sitting there, unused, but I had an idea and I found 15 minutes to fit it in.

The contact mic in question. Results forthcoming.

Another example: I had a couple weeks ago with my project Free Static. We played at the New Music Festival in Eugene downtown on that Friday night and my partner and I had not been able to get together for a couple of weeks prior. Again, busy. I didn't really have time to touch my Eurorack case to work out a new patch before the show except for 20 minutes that Friday afternoon. I had a new acoustic sound box that I made over a couple of weekends (also in between other house projects) and I knew I wanted to integrate it into my set. I had a rough idea how the patch might need to work, so I quickly just hooked it up, tested it to make sure I had signal, and packed up my stuff and went to get to sound check.

#33
November 1, 2023
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More interrogation of my painting process

Think, paint, rinse, repeat

Try not to think while you are making artwork. Just make it. Think before. Think after. Sometimes take a break during the making. It’s okay to think then. But don’t think while you are making. Just make.

Back in the summer I released a series of thirty paintings and put them up for sale on my shop. After a solid couple years of just drawing, I wanted to make something small, using only graphite and gouche. They also needed to be affordable for people to purchase. They ended up being two separate groups of 15 pieces each, respectively titled “Minor prophets, nobody cares about your flame thrower (blue series)” and “Our abandoned privacy policy read aloud as an ancient saga (gold series).”

#32
October 11, 2023
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Art drop alert - New work available today!

#31
July 7, 2023
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New original work for sale this Friday

Get new art at rock bottom prices.

The kids are out of school and laying around like bored panthers at the zoo. Summer is cooking the sidewalk. I made a bunch of new small works on paper and they will be available for purchase this Friday. You can preview all the available pieces at my shop now.

Visit the shop

#30
July 5, 2023
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Areas of transition

Painting surfaces that are waiting to be ruined again.

Splitting the difference

I work remotely as a user experience designer, and have been remote full time since the pandemic. My day job desk is in the same space as as my art-making desk. It’s just “Dad’s studio” around the house, but from 8-5 Monday through Friday, it’s my office where I am currently managing a small UX team and fixing a website for a state department in Louisiana. There is a constant battle for the purpose of my 12’ x 24’ workspace in my mind. Some days I see more of my drawing table behind me in the background of my Zoom meetings than I do by actually sitting there making work. Currently there is a mix of drawing and soldering equipment covering my drawing space - I was soldering some contact mics for a musical experiment, and left everything out, and now it’s all a mess and I’m letting said mess prevent me from making drawings.

#29
May 3, 2023
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Index of Personal Visual Effects: 0004 - Capes & Drapes, Empty or otherwise

One thing leads to another

In the last Index post about my work, I unpacked the ghost figure I draw all the time. One of the forking paths the ghost image has taken has turned into another basic, yet recognizable shape. Around the time I started making images of draped fabric and architectural distortions (between 2008-09), a friend of mine lent me his painting studio to use while he was out of the country. Feeling minimalist (lazy actually), and more interested in the opportunity to work in a new space than in conceiving of some big new project, I packed up a few water colors, a stack of paper, and a collection of 1960s Japanese Batman comics for inspiration. I cut a view finder out of a piece of card stock and started sliding it around the pages, looking for small areas in the comic panels for interesting shapes that I could blow up as bigger drawings.

Unsurprisingly, Batman’s cape, being the most prominent shape in almost every panel, dominated my little paper window. After making a few line drawings in watercolor, I realized the cape was more interesting without a body - movement and intention were more ambient implications. I made a handful of these watercolor drawings, and then left them alone for awhile. They were too obviously Batman, and I wasn’t interested in giving something so pop-culture-obvious space in my work. Besides, I told myself I was just experimenting and trying something new in a new space.

#28
April 25, 2023
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New Year, New Things, New ONLINE SHOP

It’s middle of March. Almost the end of Q1 for all you ledger-addicts out there. Since my last post was back in December 2022, let me be one of the last in the world to wish you a Happy New Year.

For me the last few months have been packed with a new project at my day job, busy family life, and a bunch of new things I will tell you about below. Right now I’m writing from the living room easy chair with a swollen knee elevated, recovering from stem cell injections. So it seemed like a good time to catch you up on all the things. 

The annual lighting of the holiday skulls. Because… you know… we are all dying.
Out-of-towners posing with my family with cool stripes on the Oregon coast over the holidays.
#27
March 17, 2023
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Studio updates and current projects

Nothing gets you more exhausted than the holidays. In spite of the energy being expended towards the last month of the year, I have a handful of creative things sustaining me as we spin towards 2023.

Free Static Live at Epic Seconds, December 9th,

With the Eugene Difficult Music Ensemble and Juice Machine, $8 at the door, time TBD.

All ages show! Thanks to Epic Seconds for providing such a dope poster.
#26
December 2, 2022
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Free Static Live Oct 15th

As I mentioned in my last post, I am performing along side Chris Ruiz as Free Static this Saturday in Eugene. If you are in the area it is a free performance as part of the New Music Festival put on by the Eugene Difficult Music Ensemble.

A couple of weeks ago, EDME interviewed Chris and I for the first broadcast of their new monthly show The EDME Radio Hour on BewaretheRadio.com. You can listen to the whole show below. Our bit starts at the 26:57 mark with our track Glassssalg, followed by Chris and I talking about our process, and our live score work on the 2019 film View of the Red Forest.

#25
October 13, 2022
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Summer is over

Business first, and then some personal updates

Free Static will be performing Friday, Oct 15th at 7pm in the new downtown Eugene Farmer’s Pavillion as part of the New Music Festival being put together by the fine folks of the Eugene Difficult Music Ensemble. 

Free Static performing the live score to Julia Oldham’s film “View of the Red Forest” in 2019 at Woodshop Projects.
#24
September 27, 2022
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Work for sale and new track release

Summer is here. The kids are out of school and laying around the house like there is a carbon monoxide leak. My wife and I are both working from home (she’s in grad school too), and now we are are passing Covid around like it’s a candy dish at a holiday mixer. Three out of five of us have it as of this writing. Other than being unusually tired and congested, we seem to have a pretty mild case and are grateful for our vaccines and the fact that we’ve managed to dodge it until now.

When only a couple of were testing positive, I had been isolating for a few days in my basement sleeping on the floor next to my music gear. I figured I’d take time to design an album cover for a track I’d been sitting on for a while. I had intended on this one being part of a full album I’ve been slowly chipping away at. I guess I’m feeling impatient and found some visual inspiration that made me want to see it go out into the world.

Dead Sharp album cover for Exhaustive index of loss
Exhaustive index of loss, by Dead Sharp

I actually created this track pre-pandemic. For a while I was using a Roland RC-505 loop station (which I no longer own), using it to make my own samples and recording other sounds around the house. I pulled in a drone loop from a cassette I had made and some short wave radio sounds and did a few improvisational takes.

#23
July 2, 2022
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New work on view & June live performance

PhonoMorphoIdiot at ANTI-AESTHETIC

One of my contributions to PhonoMorphoIdiot, on view through May 29th at ANTI-AESTHETIC. All works untitled, 2018- 2022, various sizes, marker and graphite on gesso panel board.

Life has been so busy I didn’t even get around to announcing on my own blog that I have new work in a group exhibition at ANTI-AESTHETIC in Eugene.

PhonoMorphoIdiot is a group exhibition that considers the uncertainties and absurdities of our verbal, written, and text-based communication. We exist between a shared understanding and the sensory and cultural edges of language which are shaped by everything from bodily states, fantasies and in-group signaling, to predictive text, targeted advertising and character limits. Whether through image-making, objects or sound, the artists in this show engage with language’s flexibility – often to its breaking point. Channels become convoluted, noise increases, the signal is misdirected or lost. By staying with these failures and frolicking in their wreckage, we may stumble upon alternative modes of signifying and connecting to one another.

Featuring work by Andrew C. Lorish, Stephanie Parnes, Alyson Provax, Madeline Maszk, and Courtney Stubbert.

PhonoMorphoIdiot will be on view at ANTI-AESTHETIC, 245 W 8th Ave, Eugene, OR, from April 16th through May 29th, 2022, with open hours on Saturdays and Sundays, 12–4pm.

#22
May 20, 2022
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System glitch for subscribers

Hey everyone,

If you received an email saying you had your subscription canceled, have no fear. You are still on the list. I’ve only been using this platform (Substack) for a little while, and it had originally been set up to allow readers to sign up for a paid subscription if they were needing somewhere to put their couch money. Big high five to the few of you who bought me a coffee every month.

It sounded cool at the time, but I’m not writing enough to justify it charging anyone. That’s not what this writing project is about. I found myself just giving every new subscriber a free lifetime subscription if they chose the free option.

I’d rather have people subscribe because they want to know when a new post goes live, and I don’t need the pressure of “delivering paid content.”

#21
March 30, 2022
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Thinking about war

Since Putin invaded Ukraine I’ve had a string of connected and unconnected thoughts. In no particular order, here are some of them:

  1. Putin is a dick. He likes power, and adhere’s to an interpretation of history that favors his own reality. U.S. politics are full of people who also want power, and revise history to their own ends.

  2. It’s really hard to understand the level of money and power - and cooperation from those with money and power - it takes to produce and maintain the level of propaganda required to keep millions of people in the dark.

  3. Each of us sits in an information bubble of our own complacency. The algorithmic overlords feed on the human weaknesses that allow our echo chambers to take root. One can feel bewildered at what others appear to believe, which can easily turn into judgment and bitterness. Others look at you with the same confusion.

  4. Tucker Carlson is a dick and it seems like he’s being paid to give Americans the narrative Putin has worked really hard to infiltrate our networks. He is a perfect example of the special kind of cynism bred only by capitalism. He feeds the revisionist history+power machine.

  5. American’s who champion democratic ideals abroad, and other “sovereign” people’s struggles to achieve those same ideals for themselves should think about who else has lost their sovereignty through policy, power, and manifest destiny on our own soil. Indigenous Americans still suffer at the hands of everything we benefit from. Being all in for someone else’s freedom is easy when it’s mediated, distant, or at least not bleeding on your front porch.

  6. There are songs from the canon of my youth that sizzle to the top of my thoughts when I see violence and cruelty in the media. The sarcasm in Fear’s “Let’s have a war”, Dead Kennedy’s “Riot” both mask sadness and exhaustion. They also articulate chaos and confusion in a way art only can. Suicidal Tendencies “Two-sided Politics” flips the coin on society’s view of undesirables who need to be controlled by the state. “I’m not anti-government, government’s anti-me” is a reminder that we don’t start out being a problem. It’s when we encounter some other force that insists their belief is the right one and should be upheld at any cost that we become a problem to those who hold power.

  7. As a father and husband, I get most stressed out and choked up seeing the loss. In particular for parents losing children. Kids losing parents. Partners losing each other.

  8. It’s interesting how our personalities can seem designed for certain situations. By all accounts, and in everything I’ve seen in the media, Ukrainian President Volodymyr Zelenskyy is owning his role and inspiring people around the world. But prior to Russia’s invasion, he was struggling. His polls were down, and he was adopting some heavy-handed approaches to leadership that gave his voters reason to be concerned. The older I’ve gotten I’ve tried to be more aware of where my personality is best suited, and be ok with just sucking at certain things.

  9. Growing up I was taught in church to recognize evil, and even Satan, in things - objects, music, art, government policy deemed immoral, or seemingly counter to “what God wants.” At 47 years old, if I were to I.D. evil in a police lineup, it would be the one who enlists one human to destroy another. I think I understand one’s ability to take someone’s life by your own hand. I mean, I get limbic system survival. I know hurt, rage and fear. But to be the person that sends someone across a border to take from others, or even create policies that similarly takes rights, or exercises power over another in order to prop up an ideology (looking at you Florida, Texas, and Idaho), that’s what I would call evil.

  10. The amount of authoritarianism in the US right now gives me a lot of anxiety. I know humans like certainty, they like heroes and short sentences that aren’t boring or confusing. They like to be fed the things that taste and feel good. I find it hard to trust people who give space to that kind of anti-intellectual worldview. But these GOP assholes are in it to win it, and they do not give fuck.

    Twitter avatar for @waltshaub
    Walter Shaub @waltshaub
    I’ve been thinking a lot about how Trump extorted Ukraine by withholding military aid lately, about how he repeatedly praised Putin, about how Pompeo similarly lavished praise on Putin, and about how a bunch of senators spent a recent Fourth of July in Moscow.
    9:31 PM ∙ Mar 9, 2022
    7,081Likes2,145Retweets
  11. I just read this helpful article on forgiveness, how it functions and who it serves. Hard to do. But ultimately good for us. Hope you are all doing ok.

    https://www.vox.com/22967752/how-to-forgive-someone-who-isnt-sorry-wont-apologize

#20
March 28, 2022
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New music series at ANTI-AESTHETIC

For the longest time I’ve wanted to have an experimental music and sound series as part of our programming at Eugene Contemporary Art (the art nonprofit I co-founded in 2011). I'm excited to say that this is becoming a reality.

We are kicking off our new series, titled UnSound, by hosting San Francisco-based artist Mark Lentczner, a.k.a. Electric.Kitchen. He will be doing a collaborative, improvisational performance with video artist Dirty Bill, Eugene’s Woke-Ass Messiah, and Portland’s Casual Decay.

I will be hosting a short panel discussion and QA with the musicians after the event. Read all about the event at ECA’s blog, and you can buy tickets here:

#19
March 2, 2022
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Index of Personal Visual Effects: 0003 - Ghosts

Ghosts. 

Dead. Undead. Stuck between worlds. True. Not true. Residuals of 1890s seances and 1990s tabloid television. My favorite ghost was always Charlie Brown having “a little trouble with the scissors” with his costume at Halloween. It was sad because he was the embodiment of sincerity and failure at the same time. He was on brand though. He stood out.

#18
March 1, 2022
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Two recent videos. One weird. One live performance.

We’re all traveling a million miles an hour through space, pinned the side of a spinning green and blue rock by magical forces we try to explain with charts and graph, and then we have the audacity to act like we’ve got it all figured. Then on top of that, we get mad when someone else doesn’t see things the same way we do.

Humans. Am I right?

The holidays were fine. My immediate family has still managed to dodge the Omicron bullet, but everyone we know is getting sick so it all feels inevitable. If gravity quit working tomorrow I would not be surprised.

Both my day job and my work with ECA have been very busy since the new year started. The day job has been going great. ECA was denied a couple of really key grants we needed (one from the NEA) which has been frustrating, but also a good learning experience. I mean, what else are you going to do when the government gives you a hard pass? Evidently, transitioning to a nonprofit creates some cognitive dissonance within yourself, and it becomes manifest when you discover your story isn’t coming across as clearly as someone else needs:

#17
February 4, 2022
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The Eternal Drift of Intentions and Momentum

I just it’s been since October since I last posted. But I suppose being busy with life and family and fixing things around a new house means my focus is focused on other things that need focusing.

My art practice currently feels like it’s drifting from my fingers. I’m struggling with prioritizing it in light of other things that need attention. And typing that last sentence makes me think that it’s not my art practice that is suffering, but rather my ability to let go, and be ok with centering my attention on the needs of life.

I’m not someone who sits around well. If I get focused on a subject or project I tend to maintain a death grip on it until I get exhausted. This is not always a healthy thing, but it’s pretty typical for people with ADD/ADHD. The bigger struggle is what I let myself get locked on to. Often it’s the tasks that are easy, or take fewer decisions, rather than on things that are the most rewarding. This is why “making that bookshelf we need in our living room so we don’t have to buy one” is easier than “I need to make ten decisions on this [artwork project name] that I can’t seem to finish and actually keeps me up at night thinking about it”.

Anyway, none of the above will go away. And the bookshelf is actually pretty dope. I’ll post a pic when it’s done.

#16
December 3, 2021
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Remote Studio Visit - 001

I took the day off work today in the hopes of getting some studio time, and working on some exterior house projects. I also wanted to share some recent drawings, but didn’t want to sit and wring my hands over writing about it. So here is zero-effort video of me talking about some drawings made since July 2021.

Don’t expect good lighting, sponsored products, or links to other videos, because as of today there are none. I’m just extending the audit of my work to a different format.

If you are new here, you can get deep dives into what goes into my drawings via these posts:

#15
October 15, 2021
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Index of Personal Visual Effects: 0002 - Artifacts of Grammar: Words and Letters

Can’t Get it Together, 2019, india ink on paper. Big letter jokes and modified hip-hop sampled lyric from like, 20 different albums.

In my work you will frequently see broken letter forms, half-written sentences, or sentences that may sound like a common phrase or misspoken piece of pop culture. Like a new kid at school trying to say something cool to fit in and then blowing it, and everyone just looks at him. 

Cue the crickets and sweaty hands.

#14
October 7, 2021
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In studio this week #001

Drawings from the last week. Graphite and marker on paper.
Left to right - Older work I pulled out to remind myself of something; an exploratory sketch, or a joke to myself. Or something.
Clockwise from top left: Text studies, a painting in progress; new drawing in progress; I’ve been saving old record sleeve to use in drawings. It’s yellowed, square paper that’s been hugging music.

#13
September 23, 2021
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Mind games in space

I mean, like… what’s gonna happen here? It’s a nail-biter. Just wait till things really start humming.

I have a new studio space-ish. Just a drawing table really. But I’m excited about it. Everything is still a bit of a mess from the move. And of course I started new drawings before I finished unpacking and setting up the space. I need to live and work in it first before I know how I need it to be organized.

Our house has a finished basement, and since I work from home I took over an office area the previous owners had built into a room in the far corner. Currently I spend 8 hours a day in there as a user experience designer for a digital services company working in the public sector. My drawing table, books, and art supplies will eventually take up most of the room. I intentionally gave my professional work the smallest amount of space (a standing desk and light mounted to the wall in the corner) so that when I came in there to draw, or write, or think, my body and brain would recognize what the priority really was.

Mind games, really. But important ones.

#12
September 17, 2021
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Moving quickly over the past

Hello friend. It’s been just over a month since the last time I wrote. I’m sure you were pacing the halls late at night wondering when the next firehose-blast of universal truth and wisdom would arrive.

It’s here now. You can go back to bed.

I have several upcoming posts about my own work forthcoming. They’ve been a bit more difficult to get out, but I suppose that makes sense. Making, thinking, and writing about the art you make are all separate processes. I am having to go back and look more closerly at some of my recent drawings and paintings which has slowed the flow of words. In the meantime, writing has taken a back seat to family life, so let’s catch up...


#11
September 8, 2021
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It never fails.

The starting blocks outside our new house

New habits are hard to start.

I try to be cognizant of the two-week mark anytime I start working out or jogging again after a long break. Two weeks tends to be when “something gets in the way”. Then a week goes by and before you know it you have blown your attempt at starting something, and you have to start over again.

#10
July 30, 2021
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Happy Hour Livestream with Lane Arts Council

Hey Friends,

A quick note - I’ll be the guest of honor during Lane Arts Council’s Happy Hour Livestream tomorrow afternoon from 5-6pm. You can join the conversation on Youtube here:

I believe it will also stream on Lane Arts Council’s Facebook page if you prefer to use that ecosystem.

#9
July 13, 2021
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How long do you hold on to old work?

And just like that, all my studio mojo and blog post writing motivation got sidelined.

I’ve not had time to write for the last week or two because we had an offer on a house accepted and it has shifted all our mental energy towards document signing, list making, garage sorting and furniture dreaming. This is big for our family. We are stoked. The next two months will be really busy.

#8
July 10, 2021
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Variations & Boundaries II - The Revenge

While I was writing my last post, I remembered something. 

A long time ago - 12 years ago actually - someone gave me this tiny sketchbook. It was only about 5.5” x 3.5”. Annoyingly small. I’m particular about sketchbook sizes. I think this one was meant for an old crusty poet traveling through Europe with a whisky flask in one chest pocket, and drawings of Parisian alley dogs humping in the other. I tend to horde free art supplies, even if I don’t use them right away, or at all. Because, why? 

¯\_(ツ)_/¯

Though I didn’t really like the size I decided to try something so the paper didn’t go to waste. It was a small space so I made me some rules: 

#7
June 19, 2021
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Variations & Boundaries

Untitled, 2021, pencil on paper, 11” x 14”

At the moment my studio goal is to work for 1.5 hours on Monday and Friday mornings before work, and at least a couple hours on the weekend. This feels doable, and it breaks up the week nicely. On Tuesday through Thursday mornings I work at my responsibilities as the director of an art space. Starting my week in the studio helps make it a priority.

I don’t like mornings. Historically I’m a night-owl. As I creep through my forties, my sleep has suffered more and more from insane amounts of time spent locked to a screen. So I’m trying to change things by using screens less and night, getting better sleep, and getting up earlier. My wife gets up at 5:30am to run or do yoga. After a while you start to feel like a giant baby with that kind of discipline happening next to you every day.

#6
June 13, 2021
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Index of Personal Visual Effects: 0001 - Broken Structures

Old, heavy things that might drift away

I like broken architecture and abstract structural forms. Currently, these appear as unfolding, origami-like shapes that often look like they acknowledge the presence of gravity or perspective, but then don’t go through with it. It’s not that they don’t like gravity. (I mean, it is a bully.) It’s just that a drawing of a building or 3d object on paper is still neither of those things no matter how accurate or detailed. Artists clarified this decades (even centuries) ago. These forms are used in my paintings and drawings, as well as in my design work.

Mural from a set of commissioned work for the office of GMA Architects, Eugene, Oregon, 2015
#5
June 9, 2021
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Remember that time Mr. Rogers played bass in a death metal band and was known for his sezchuan cooking?

Hi. I’m glad you opened this.

Once, back when we were young, fresh, and pandemic free, possibly in a previous decade even - you signed up for an email list or newsletter, or event, related to my art shenanigans, or my design practice. Or maybe you didn’t sign up but you know who I am. Maybe really well. Perhaps we share a bloodline. Perhaps you we are unrelated, but you attended one of my weddings…

#4
June 6, 2021
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Master of the Studio Disaster

“You’ve really let yourself go” said the studio, looking itself in the mirror. This is just one corner of a garage workspace that no longer functions. The mess stretches for another 10 feet.

I’m cleaning out my studio contents. Its a hot mess piled into my garage. I’m tempted to push it into the driveway and set it on fire. But before I do, some background -

#3
May 30, 2021
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The Pursuit of Ambiguity

“Structural integrity is necessary for existential longevity”, 2014, 8”.5x11”, digital. Image for an as-of-yet unreleased zine project.

#2
May 27, 2021
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Here is what I spend my time not doing

I just want you to know what you are signing up for.

  1. Going to bed on time. (It’s really too late for me to be at my computer. I won’t sleep well at this point.)

  2. Making art I want to make (it’s easier to start a blog sometimes)

  3. Breathing slowly and deeply for any amount longer than 2 minutes.

  4. Cutting extra things out of my life in order to spend better, focused time, on things I KNOW I care about more.

  5. Finishing most art or music projects. Though I have kept a pretty consistent sketchbook habit for the last couple years (see above), and I just put out a few tracks from my most recent music project. [But you should see the shit I haven’t finished. That stack would make a drunk sailor blush.]

  6. Quitting Instagram… though I’m getting very close. I hate Facebook. Anything it touches it ruins.

#1
May 26, 2021
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Art Bluesky Instagram Solo music Music with others
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