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July 7, 2026

070726 / STUDIO REPORTAGE

a brief report

STUDIO REPORTAGE1 is a series in audio-visual.journal which drops y’all into the frequencies emitting from my current workflow. Expressed through one dimension of my research methodology2, (call, listen, respond)3, I’ll gather notes and references for what I’m working on: sharing updates about this virtual journal and other parts of my art practice.

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An album cover with a white background, and blurred, pixelated streaks of green and red are parallel to one another. Echoed pixels of yellow appear few.
I included J. Albert’s song “Slowga” in a monthly playlist from 2024, and I’ve been returning to it a lot within the past couple weeks. 

CALL / What’s been calling to me?

  • Service, by way of connecting research & publishing to facilitation

  • More opportunities to study in conversation with others

LISTEN / In what ways have I been listening?

  • Dedication as ancestral listening

  • Returning to working with movement scores

RESPOND / In what ways have I been responsive?

  • ICYMI: Since my last Studio Reportage, I shared 2 new entries of Rehearsing Otherwise (061726, 062626), 1 entry in a series I’m experimenting with called Reference Matierial, & I closed the Summer invitational period for Rehearsing Writing4

  • Revised the entries page of the journal’s website

  • Attended a workshop discussing a framework for how one’s leadership moves thru cycles/seasons.


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Thanks for being an audience, and stay tuned,

Paris


  1. In a 2018 interview with The Drum, filmmaker Jenn Nkiru mentions ‘reportage’ as the consequence of process and discovery, a sentiment she learned from filmmaker Haile Gerima. I enjoy this use of the term, so I’m invoking it here. ↩

  2. Shout out Ayana Zaire Cotton, founder of Seeda School, for helping me express my orientation toward musicality and encouraging me to choose these pillars for a generative framework. And shout out to fellow Seeda School alum, isabetta bleu whose structure for sharing studio updates directly inspired me to try a ‘studio update’ series. ↩

  3. ‘Call and response’ is a Black technology rooted in traditions of musical expression, spirituality, and oral history/storytelling. When I was challenged to adopt a 3 part framework to structure my art practice, I considered how adding the pillar “listen” might help articulate what happens in between calling and responding. This is an active revision aimed to deepen my engagement with this ancestral form. ↩

  4. Welcome to new subscribers who came by way of the Service Invitation for Rehearsing Writing! For those who resonated with the service but the timing wasn’t quite right, I plan on inviting folks into Rehearsing Writing again during the Fall. Stay tuned! ↩


Thank you for visiting this corner of the virtual void. 🖤

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