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Notes from the Deaf Baby Instruction Manual

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May 19, 2026

5 stars!

Our first post-publication update! Post reviews to Amazon! Be amazed by Comic Book Club! Tiny book tour pictures also included.

Hi, and welcome to the first post-publication edition of the Deaf Baby Instruction Manual newsletter.

Writers almost universally talk about the weirdness of getting a book published, and holding something in your hands that’s lived so long in your head. But anyone who’s ever put thought and effort in a long-term project will understand how getting over the finish line can be both happy and a little sad, satisfying and kind of unreal.

Picture of the author holding The Deaf Baby Instruction Manual, covered in advertising lingo. "★★★★★—Amazon.com""BUY IT TODAY" "this week only! 30% off the cover price!" He wears a shirt reading "American Sign Language is a human right." and two word balloons project from his mouth reading, "word balloons" and "deaf children."
Did I mention it’s on sale this week? Pick it up for less than $20!

So I’m starting this new chapter (haw-haw) in a kind of cautious mood. I am very grateful for the early success of the book, and all the support I’ve gotten from the communities connected with it. Lots of you have had kind things to say, and so far, the critiques have mostly been gentle. But I’m also aware that when you build a boat, you’ve got to sail it, which is why I’ve been running around so much lately doing readings and virtual events.

It seems funny to say this about something as didactic as the Deaf Baby Instruction Manual, but I’ve only got a limited role in how the book will be used, and what people will get from it. Going out and meeting parents and professionals is part of that role. Without readers, it’s obviously dead in the water, but reading in front of an audience means I get to see people’s reaction to different bits of the book, and participate in the conversations that come out of it.

Since helping families is the goal, those conversations are key, because they’re the next step towards actually taking action to better support their deaf and hard of hearing kids. So if you want me to come talk about what’s in the book, and start some conversations, please contact me here.

Amazon, Goodreads, and the good ol’ Library

Now’s the part where I beg you guys for reviews! Online reviews are important for the long-term health of a book, and throwing me a 5-star rating on Amazon or Goodreads will keep the Deaf Baby Instruction Manual high in the search results, and get it into the hands of families looking for information. So if you bought the book on Amazon, please bounce back to the page and leave a review, or do the same if you’re a Goodreads-er. Thanks!

A line graph charting relative sales (Y axis) over time (X axis.) The line bounces between 40K and 200K day-to-day, showing no particular pattern.
Make line go up?

I also continue to get questions about requesting that your local library stock the DBIM. I linked to this tutorial into a previous email, but basically, most library systems have a web page to “suggest a book” or “make purchase request.” You’ll just need to have the right information to fill out the form:

Title: The Deaf Baby Instruction Manual
Author: Will Fertman
Publisher: Bloomsbury Academic
Publication Date: April 16, 2026
ISBN: 9798765189375

Good luck, and I’ll see you in the stacks.

Comic Club!

Simple 6-panel comic strip drawn by a child. A one-eyed dragon breathes a gout of flame at a castle. The fireball bounces off the castle with a "SHONG" sound effect, striking the dragon, "BAMTH" and leaving him burnt, without scales.
Looney Tunes x D&D (by Oscar)

Recently, I’ve been running an after-school comic book club at Oscar’s school. The club was his idea, after Robot Club and before Video Game Club, and it was the only one of the three I was qualified to administer. But it was a no-brainer, really; if you’ve ever met me in person (or checked out my Bluesky feed) you’ve gotten my rant about how we’re in the golden age of children’s literature, and especially comics. (And 90% of all children’s literature is secretly comics: words + pictures covers pretty much everything from Eric Carle through to chapter books.)

This made it easy to put together a big box of my non-problematic faves from Oscar and Leo’s collection, including but not limited to Hilo, Tea Dragon Society, Phoebe and Her Unicorn, Johnny Boo, Dog Man, My Aunt is a Monster, a bunch of Elise Gravel work, a few stray Ms. Marvels, Squirrel Girls and Tiny Titans, some of the excellent “new” Archies, and a bunch more. Every other week, I gallumph them over to CSD’s library where head librarian Joann Ikeda co-leads the club with me.

Image from an elementary school library. There are three round tables each with two or three elementary-aged students sitting around them, with comic books and drawing supplies scattered around.
The club in full swing—I didn’t get parental permission, so I’m not showing faces

It’s a strictly drop-in affair—no attendance taken, and no homework given. We start with a quick topic for day: favorite books / characters, different genres, different jobs involved in making comics, women creators, etc. Then kids are allowed to either go read comics or make their own.

Reading, writing and drawing are the goals. I bring art supplies and pre-printed sheets with various comics panels for the kids to start with. Then I hover around the edges, helping define unfamiliar vocabulary (we keep a big list of “weird words” the kids discover in their reading) suggesting interesting further reading or encouraging kids to keep drawing (and use more color!) I sometimes struggle to keep up with their ASL, but Joanne is right there to lend a hand, draw out their thinking and encourage them to dive deeper.

A simple 3-panel comic drawn by a child. In the first panel, a stick figure bounces on a trampoline to the sound effect "JUMP." In the second panel, he flies up into the air with the sound effect "BOING" while crying in delight, "WEE." In the third panel he meets a bird high in the air, waving at him and saying "HELO."
Sequential art (also Oscar)

In terms of production, the kids have made everything: gag strips, sports stories, a couple “6,7” jokes, fanfic sequels, movie reviews, Sonic the Hedgehog (and Slenderman!) pastiches. We’ve also gotten glimpses of one student’s ongoing, multi-chapter shojo-style family drama. And of course the kids have also made many unclassifiable experiments where the muse drove them places I couldn’t follow.

On the consumption side, there’s just been no end to the great books from up and down the age and reading-level spectrum. Everything from science-oriented titles Science Comics or Heaven’s Design Team to superhero hybrid works like Katie the Catsitter and Sparks, memoirs like Smile or dramas like Babysitter’s Club or Boys Run the Riot. Not to mention all the comic strip collections of Garfield, Calvin & Hobbes, Nancy, For Better or Worse (!!!), and That Deaf Guy.

My favorite new discovery is The Accursed Vampire by Madeline McGrane. It tells the story of the vampire kid Dragoslava, the put-upon servant of an emotionally manipulative witch, who’s been tasked with retrieving her spellbook from a renegade apprentice. It’s a droll, sensitive and slightly spooky tale about choosing good relationships over bad ones, and loving yourself even when other people see you as a monster. Appropriate for late-elementary kids and above.

Comic panel from The Accursed Vampire. Three gleeful vampire children discuss the quality of blood in a graveyard.

On the left is a bald, stark-white vampire kid in traditional black cloak, wiping his mouth with a handkerchief: "Blood always tastes best in October."

In the center is a Black child with slit-style snake eyes and modern pink sweater: "Something about the crisp air and the warm, zesty blood."

On the left is a brown-skinned child wearing overalls and a red striped shirt: "I think it tastes the same as ever, delicious."
Dragoslava and friends—“zesty” goes on the weird word list

While I’m not done with young children’s books by a long shot—Beyond Brown Bear will be back next issue—I’ll also be bringing my discoveries from Comics Club as well, focusing on visual learning, art, literacy, and on the comics (and probably plain ol’ books) that Oscar and his friends are digging now that they’re in their elementary era.

Pics from the Book Tour and Launch Party

My trip back East was an incredible experience, made more special because my parents and brother were there for it. I met many wonderful Deaf folks, parents, professionals, students and educators, and I want to thank everyone who hosted me: Andrew Bottoms and Naomi Caselli at Boston University Deaf Center, Kim Ofori-Sanzo and Amy Fetterman at Language First’s CT Early Language Center, Patti Marino-Aratingi and Joseph Santini at NYSD Fanwood in New York, and Alee Capps at The Learning Tree in Fremont:

This email is already long enough, so I’ll spare you the full travelog, but here are a couple pictures to give you the idea.

A large crowd (~500 people) sits on chairs in a carpeted college auditorium. The crowd ranges in age from college students up to gray-headed elders.
The audience for my presentation at Boston University’s Deaf Space event
Patrick Graybill, a bald, elderly white man in casual clothes, stands on a stage. He is in the midst of signing a poem in ASL, frowning with emotion.
Poet and actor Patrick Graybill at BU, signing his poem “Defiance”
Andrew Bottoms and Megan Malzkun, two white college professors, stand on a stage in front of a large audience wearing bright green and blue windbreakers, respectively. Behind them is a projection showing their faces in various comic poses, with the words END AUDISM™ superimposed. Below the screen is a red banner with BOSTON UNIVERSITY written on it.
Andrew Bottoms and Megan Malzkun doing their Hearing Knows Best thing
A middle-aged white guy, Will Fertman, stands in a small office space wearing a rust-color sweater. He's giving a talk, holding up a children's book titled "17 Things I'm Not Allowed to Do Anymore"
Me doing my “read to your deaf kid” presentation at Language First’s Connecticut Early Language Center
Two middle-aged white people, Will Fertman and Patti Marino-Aratingi, stand in front of an empty theater.
Goofing with Patti Marino-Aratingi at NYSD Fanwood—what a school!
An elementary aged kid in total ecstasy playing in a bounce house.
The bounce house was full from start to finish
View of a long row of display tables set up outside under a colonnade. Numerous presenters line the tables with curious guests asking questions.
Thanks to all the community orgs that shared their knowledge at the book launch
Photo of a panel discussion. Four people sit on chairs on a raised stage. An older white woman (Rachel Zemach), a middle-aged white man (Will Fertman), a middle-aged white woman (Mystery Guest X) and young Black woman (Noelle Wilder.)
And thanks to launch-party panelists Rachel Zemach (left,) Noelle Wilder (right,) Mystery Guest X (center) and her Mystery Dog, too!

As always, if you’ve got questions about me, the book, or kid vampires, drop me a note and we can chat.

This is an informational newsletter on raising a deaf kid. All opinions in linked articles are the views and copyright of their respective authors, not this guy. All original content and opinions are those of their author, and are ©2025, William Fertman. Links are not endorsements.

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