Scene Five
They come. The cops. Nasty and Nastier. They saying nothing grab Leigh, leaving Donnie on the floor. Marched to a hole in the stone floor, bricks lead down, barely wide enough to fit. Shoved into it Leigh almost tumbles head first, puts out her hand on the wall, black liquid, damp maybe, the stuff clings to her, she wipes it on her jeans and descends.
Entering a chamber with a single chair and manacles upon it. A man hooded, mumbling, stumbles then almost warps towards her and back again. Leigh blinks, wipes her eyes. She remembers the black stuff, uses her sleeve, her eyes are dancing with lights. She turns back up the stairs, but it’s dark, something’s been pulled across the top, no way back.
“The Chair, sit.”, says a papery whisper. The hooded man is cast in shadow, only his mouth and jaw visible, teeth blackened and sharp. Leigh terrified goes forward but the hooded man whips around, “No, not yet! Him…” The force of the words has Leigh stumbling back against the wall, edging away. Another figure moves forward out of the dark, trance-like, dressed in a suit, he has to be a Fed. He moves like a puppet on a string, like he’s trying to resist but keeps getting drawn forward until he’s in the chair. He’s terrified. The hooded man returns with some molten liquid, the smell, so pungent, manure or skunk. The fed breathes it in, and starts giggling, eyes glassy then the hooded man forces the liquid down his throat, hissing, burning, the smell makes Leigh gag. The screams echo around the room, it is too much Leigh turns and falls into a side passage, roughly carved, she runs, she doesn’t look back plunging forward into darkness, hands outstretched, scraping and bumping as the passage twists and turns.