Action Comics #692 (October 1993)
Action Comics #692 (October 1993)
In this issue: Superman goes to the doctor and finds out why he’s not dead anymore! But, before that, he’s clearing some of the debris left by his fight with Doomsday when he finds… Clark Kent? Lois Lane is very happy to see Clark again, but Superman himself doesn’t look very thrilled in these panels.
Turns out Clark wasn’t dead as everyone believed, he was simply trapped in the basement of a collapsed building! The basement happened to equipped with plenty of food and gym equipment (explaining why he’s still jacked, like Superman), but unfortunately not a single pair of scissors (explaining why his hair is now long, like Superman’s).
Later, Superman bumps into Lex Luthor Jr., who demands to know where Supergirl is, but Superman gives him the runaround. Hmm, where could Superman’s good friend who can change shape and pretend to be other people be? Anyway, Superman then meets Lois and Clark and… holy crap! Mild-mannered reporter Clark Kent is secretly Supergirl!
So yeah, Supergirl pretended to be Clark for a while just so he and Superman would be seen together and no one would question why both are suddenly alive again. Then Supergirl leaves and we move on to the second dilemma solved in this issue: How the hell is Superman alive again? To address that question, supernatural DC character (and fellow Jerry Siegel/Joe Shuster creation) Doctor Occult appears out of nowhere and rudely teleports Lois and Clark to a black void, where he replays moments from Superman’s life… and death.
Occult explains that Doomsday DID punch Superman’s spirit out of his body, but there was still solar energy keeping the body just barely alive. Superman’s ghost ended up stuck between the living and the dead, attracting some nasty soul-eating demons. Fortunately, Pa Kent happened to be dying of a heart attack at the same time, so he and Superman teamed up to fight off the demons (as seen in Adventures #500). Superman's soul returned to his near-corpse, which was taken to the Fortress of Solitude by the Eradicator and lovingly nursed back into health. (Okay, more like "coldly," but you can't argue with the results.)
Anyway, the point is that Superman’s resurrection happened due to a convoluted series of events that could never be repeated, unless someone’s willing to sneak behind Pa Kent and blow an airhorn in his ear or something. As the mystical exposition dump ends, Occult teleports Lois and Clark to Smallville, and the issue ends with the Kents finally reuniting. A tender moment…
…until two seconds later, when Ma smacks Clark in the back of the head for taking two whole issues to come see them (or that's what I'd do).
Plotline-Watch:
Doctor Occult reveals that the moment when Bibbo shocked Superman's body with a hyper-charged defibrillator in Adventures #498 actually helped keep him alive. Once again, Bibbo is the real hero of this saga.
Supergirl has a lot of experience posing as Clark, since she was stuck in that form between 1989 and 1992. That was also her in the only other photo of Superman and Clark together, taken in Superman #34.
While Superman is being interviewed by a news crew after rescuing “Clark”, that lawyer from Action #689 barges in and demands that they stop calling Superman Superman, since that name is now trademarked by Superboy’s manager. Damn, maybe he’s gonna have to start calling himself “Supreme” or something?
Aww, Lex is happy to see Superman again. Sure, it’s only because he wants to be the one to kill him, but still.
S.T.A.R. Labs is examining the Eradicator’s corpse when they realize he’s alive! Sort of. Later, Doctor Occult remarks that the Eradicator sacrificed himself “in mind, if not in body”. Hmm. The doctors overseeing his condition are Kitty Faulkner, who can turn into an orange She-Hulk called Rampage after a workplace mishap, and a new character called David Connors, the only S.T.A.R. employee without superpowers. So far.
The JLA returns from the little space vacation the Cyborg sent them on, and we get the first instance in all of comics of Guy Gardner admitting he was wrong. Character growth! Don Sparrow says: "Nice to see some follow-up to the characters around the DCU and how they react to Superman's return. No mention of the fact that they got suckered into a mission into space that went nowhere."
When Doctor Occult shows up, Superman is like “aw, not this guy again!”, referencing that classic tale of Superman’s first encounter with the supernatural… which hasn’t come out yet. Don:"It's a neat forward call-back (is that a thing?)when Superman references his first encounter with Doctor Occult, given that we won't see it happen until 1995, when DC does a line-wide ‘Year One' series of stories. And wouldn't you know it, that story is written by none other than Roger Stern (and even involves tentacles, as in the thumbnail image)!" #rogersternplaysthelonggame
Don Sparrow’s section, on the other hand, can be read NOW, after the jump!
Art-Watch (by @donsparrow):
We open with the cover, and it's one of the top ten best of this era, for sure. Drawn by Kerry Gammill and Butch Guice, DC used this drawing on the "Return of Superman" cards. I tend to favour simpler, iconic covers, even when they don't necessarily represent the story within, but in this case, it's showing exactly what the heart of the story is about: Clark Kent is back.
Inside, we open with a full page splash of Superman's shield, through tons of rubble, and it's a great image, but without the face, it allows us to focus on the title of the story, a callback to the speech introduction of the old Fleischer Cartoons.
I don't know if it's from the writing, or the artist, but Action Comics has always seemed the most romantic of the Super-titles, and this one is no exception, as Clark and Lois have their hands all over each other for basically the whole comic. While it is a bit weird to remember that it isn't Clark that Lois is caressing (more on that in a bit) in the early part of the story, it always feels intimate and romantic more than it feels graphic or titillating. A tricky balance that this team pulls off well, particularly in their "reunion" on page 3. [Max: Every time I read this issue I think it's Martian Manhunter posing as Clark and when they start flirting I'm like "ew". Then I remember who it is and I'm like "nice".]
I always enjoy seeing Superman flying upside-down, which I consider to be a Byrne innovation--I don't remember him doing it pre-Crisis. It always seems so joyful and carefree, and it's nice to see Superman savouring his powers.
Jackson Guice uses tone very well in the scenes with Lex Luthor II in his aviators, and I quite like the sense of motion to Superman's pose as he approaches the helicopter--almost like he's swimming in the sky rather than floating.
It's a good drawing of the Eradicator getting the post-Hoth Luke Skywalker treatment, with David Connor and Kitty Faulkner getting an eyeful. My copy has a slight colouring error that makes it look like the Eradicator is awake in the tank, even though he's supposed to be catatonic. [Max: Still looks like that in the collections. Maybe he's one of those people who sleep with their eyes open?]
Superman embracing Lois after the ruse of "Clark Kent" is very cutely drawn, as is the Ghost-like backward embrace on the following page.
The entire sequence replaying Superman's death and rebirth is drawn well throughout, especially the dreamlike staging, and the darkness as Lois knocks the flashlight away. It's also moving that Superman can see the heroic lengths that Bibbo went to try to save him once Superman succumbed to his injuries.
Lastly, it was wonderful to see Clark reunited physically with Ma and Pa, especially with the nice touch of the poem by DH Lawrence as the only narration. Stern was always the best at referencing secondary texts in his stories, and it's well used here.
STRAY OBSERVATIONS:
Is it me, or is Matrix/Supergirl a little too into this Clark Kent act? I get that making their performances light and funny keep it from seemingly overtly dishonest, but "Clark" is pretty tender in these scenes. Lois does a good job of playing along, but it's hard for me to fully forget that all this canoodling is actually with Supergirl. So as a helpful tool, I created these graphics: [Max: Nice.]
It was cool that Lois specifically mentioned that Jimmy got a shot of the returned Clark Kent next to Superman, I always like it when that can happen.
In previous posts, I've talked about how creepy it is that Luthor has a sexual relationship with Supergirl/Matrix, when she is in so many ways (mainly mentally) a child, and I can't help but read the scene where Lois chooses Superman over "Clark" this way. The laughing and clapping has a whole different feel if you think of her as mentally diminished somewhat.
So it's not exactly a continuity error that Clark says on page 13 that he has to call Ma and Pa to let them know that "Clark" is alright (even though he already called them in a previous issue). It could be that they want to tell the Kents the cover story of Clark's return has now taken place, and they can act like their son is alive again when they go to the corner store, etc. [Max: Yeah, that's how I took it. It would be awkward if their neighbors saw them all cheerful while their son is still "dead".]
I like to imagine that Dr. Occult looks and sounds like Robert Stack. [Max: It's impossible for me to hear him as anyone other than Humphrey Bogart after Lois calls him "Sam Spade".]
We've mentioned previously Jackson Guice's tendency to use photo reference for his characters. In this issue, Superman looks a lot like Jason Patric to me, who would have made a pretty great Superman had there been movies being made in this time.
I also appreciated this issue explaining both the physical and metaphysical reasons Superman was able to return--and that there's no back door to the story--if Superman ever died again, he would be unable to return.