katexic clippings

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|k| clippings: 2014-08-12 — elegance and elegy

Since this is a daily newsletter, not the daily news, I won’t add (much) to the ongoing Robin Williams deluge other than to unrepentantly note how much Dead Poet’s Society meant to me (mostly because of Williams’ performance as John Keating) at a time when I was vulnerable and had almost no one around me who understood—much less supported—my love of art, writing and literature…and plenty of people who, inadvertently or not, demeaned or degraded it. In the form of Keating, Robin Williams gave me something I desperately needed: the belief that, as he said, “No matter what anybody tells you, words and ideas can change the world.”

WORK

#51
August 12, 2014
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|k| clippings: 2014-08-11 — conspicuously useless

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…you become acquainted with the mass-produced man, the absent man: he goes from Paris to Tokyo, from Tokyo to New York. He goes everywhere on an electric earth, like a corpse laid out in death. He takes trains, the kind that go from one point to another. From nothing to nothing. In his haste he takes the void with him. However often he speaks, he only hears himself. However far he goes, he finds only himself. Wherever he goes, he leaves behind a stain of gray; he sleeps in the midst of what he sees.
[…] And then there is that other type of man. A useless fellow. Wonderfully useless. He certainly didn’t invent the wheelbarrow, ATM cards, or nylon stockings. He never invents a thing. He neither adds to nor takes away from the world: he leaves it. Or he finds that the world has left him, it’s the same thing. You might see him here or there, driving his flock of thoughts before him. He dreams in every language. You can see him from a long way off: he’s like the men in the desert, those blue men. He’s like the people with their flesh tinted from the cloth that protects them from the sun. His heart is seized with blue. You see him here and there, in the uprisings he inspires, in the flames that devour him. In the books he writes.

#50
August 11, 2014
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|k| clippings: 2014-08-10 — Salmagundi Sunday; Dreams

It’s Salmagundi Sunday, where I share the “best of the rest”—great links that didn’t make the cut for last week’s newsletters…and a few pithy quotes. Back to regular programming tomorrow!

LINKS

#49
August 10, 2014
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|k| clippings: 2014-08-09 — a conjunction of novelties

In Walden, Thoreau remarks that “there is an incessant influx of novelty into the world, and yet we tolerate incredible dulness.” And so we do, whether from simple preoccupation, sloth, cynicism or just being overwhelmed. I hope, occasionally, this very newsletter helps shine a light on some of the novelty that might otherwise go unnoticed.

WORK

#48
August 9, 2014
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|k| clippings: 2014-08-08 — hot off the mimeo

Re-reading Pride and Prejudice. I’d forgotten how funny it is. And the novel provides an apropos quote given my recent experience watching a train-wreck of an interaction between a public reader and eventual new foe in a local coffee shop.

WORK

#47
August 8, 2014
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|k| clippings: 2014-08-07 — an inflorescence of eigner

The formatting of Larry Eigner’s poems—his use of the page as canvas and typewriter as brush—is important enough that I don’t want to try to fake it with plain text. If you have problems viewing today’s work, here’s a direct image link. I love Eigner’s comment about the meaning of this poem:

#46
August 7, 2014
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|k| clippings: 2014-08-06 — a reicht moofae

Some lyrics today that stand well enough on their own but are best heard. A little longer than the usual WORK, but I just didn’t want to cut it down.

WORK

#45
August 6, 2014
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|k| clippings: 2014-08-05 — a drawn buckie

A brief poem today by William Michaelian that both settled into and enveloped me when I considered the wide variety of meanings of the word “drawn.”

WORK

“These Old Gods”

#44
August 5, 2014
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|k| clippings: 2014-08-04 — a whisper or a whack

In Shakespeare’s Much Ado About Nothing, Beatrice comments on a description of herself, “that I had my good wit out of the ‘Hundred Merry Tales.’” That text—also known as “Shakespeare’s Jest Book” because of the many stories in it that can also be found in Shakespeare’s plays—is available in various forms including a reproduction of the 1526 version and .

#43
August 4, 2014
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|k| clippings: 2014-08-03 — Salmagundi Sunday; Patience

It’s Salmagundi Sunday, where I share the “best of the rest”—great links that didn’t make the cut for last week’s newsletters…and a few pithy quotes. Back to regular programming tomorrow!

Links

#42
August 3, 2014
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|k| clippings: 2014-08-02 — a window brightly

In 2006, students in a high school class wrote to various authors inviting them to visit their school. The only one who wrote them back was Kurt Vonnegut.

WORK

What I had to say to you, moreover, would not take long, to wit: Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience , to find out what’s inside you, .

#41
August 2, 2014
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|k| clippings: 2014-08-01 — twilight songs

Three haiku today by Buson, one of the great Japanese poets. The cuckoo is both a symbol of the bursting forth of summer and melancholy—the cuckoo’s song said to be the sound of spirits singing to their living friends and family. A fitting word for today when it feels like Summer has ended and Fall has fallen upon us. The Japanese word used in these poems is hototogisu, referring to the Little Cuckoo, known for its songs (and, conveniently for haiku writers, its five syllables).

WORK

#40
August 1, 2014
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|k| clippings: 2014-07-31 — to sleep, perchance to poem

Peter Johnson said that Max Jacobs’ prose poems have a kind of “dream logic” to them. This seems to be at the heart of the surrealist strand of prose poems à la Russell Edson and Charles Simic…a rationale borne of revery.

WORK

“The Beggar Woman of Naples”

#39
July 31, 2014
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|k| clippings: 2014-07-30 — miles carry scars

Ansel Adams said “every experience is a form of exploration.” Technically true, but some explorers cover many more actual miles than others.

WORK

#38
July 30, 2014
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|k| clippings: 2014-07-29 — eye(s) of the tiger

In the novel Submergence, Hades is also a physical place, the deepest of the deep sea vents where both the newest and oldest life is found…among that yet to be discovered.

WORK

#37
July 29, 2014
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|k| clippings: 2014-07-28 — whose emphasis is it, anyway?

I can’t stop thinking about the line: “we still live in an italicized world.”

WORK

“Sparrows”

#36
July 28, 2014
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|k| clippings: 2014-07-27 — Salmagundi Sunday

It’s Salmagundi Sunday, where I share the “best of the rest”—great links that didn’t make the cut for last week’s newsletters…and a few pithy quotes. Back to regular programming tomorrow!

Links

Time to clear a logjam of outstanding visual artists. We live in a time of riches.

#35
July 27, 2014
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|k| clippings: 2014-07-26 — a whiter shade of green

Another piece by Jack Gilbert. What we don’t or can’t have—and what we don’t or can’t understand when we do—can nonetheless overflow us.

WORK

“Trouble”

#34
July 26, 2014
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|k| clippings: 2014-07-25 — a snippet here, a sippet there

A conversation last night prompted me to think about the idea of “favorite” and “best” artists. I try to avoid both terms without significant explanation: the former leads to impossible choices, the latter implies a breadth of experience and judgment I don’t possess. But I can speak of poets whose work most often or consistently speaks to me, as with today’s work. And as with most poetry, but Gilbert’s particularly, slow savoring of every word is important.

WORK

“Islands and Figs”

#33
July 25, 2014
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|k| clippings: 2014-07-24 — once or skice

I woke with the thought of a short, formal, rhyming poem in mind but then discovered the following work which, but for brevity, is the opposite. I hold handfuls of such “breakage.”

WORK

“True or False”

#32
July 24, 2014
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|k| clippings: 2014-07-23 — I'm not worthy

A patchwork of quotes today from an important author’s first novel…best read in Humphrey Bogart’s voice.

WORK

#31
July 23, 2014
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|k| clippings: 2014-07-22 — plucky, adventury pi

WORK

“Modern Major-General’s Song”

I am the very model of a modern Major-General, I’ve information vegetable, animal, and mineral, I know the kings of England, and I quote the fights historical, From Marathon to Waterloo, in order categorical; I’m very well acquainted too with matters mathematical, I understand equations, both the simple and quadratical, About binomial theorem I’m teeming with a lot o’ news— With many cheerful facts about the square of the hypotenuse.

#30
July 22, 2014
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|k| clippings: 2014-07-21 — submerged and overwritten

I could quote endlessly from J. M. Ledgard’s novel Submergence. I could gush over it like a professional blurbist. But I’ll limit myself to saying: read this book. If you don’t trust me, Google it for yourself.

#29
July 21, 2014
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|k| clippings: 2014-07-20 — Salmagundi Sunday; Idleness

It’s Salmagundi Sunday, where I share the “best of the rest”—great links that didn’t make the cut for last week’s newsletter…and a few pithy quotes. Watch for next Sunday’s visual arts roundup.`

Links

#28
July 20, 2014
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|k| clippings: 2014-07-19 — sounds in the night

As the proverbial hammer makes everything look like a nail, so too my restlessness casts a sad pallor on everything I see…

WORK

“Trains”

#27
July 19, 2014
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|k| clippings: 2014-07-18 — I should've had a V8

WORK

“I had expected to arrive in rain, and at Holyhead, indeed, a fine, warm drizzle was falling, but when we got out on the channel the sun broke through again. It was evening. The sea was calm, an oiled, taut meniscus, mauve-tinted and curiously high and curved. From the forward lounge where I sat the prow seemed to rise and rise, as if the whole ship were straining to take to the air. The sky before us was a smear of crimson on the palest of pale blue and silvery green. I held my face up to the calm sea-light, entranced, expectant, grinning like a loon. I confess I was not entirely sober, I had already broken into my allowance of duty-free booze, and the skin at my temples and around my eyes was tightening alarmingly. It was not just the drink, though, that was making me happy, but the tenderness of things, the simple goodness of the world. This sunset, for instance, how lavishly it was laid on, the clouds, the light on the sea, that heartbreaking, blue-green distance, laid on, all of it, as if to console some lost, suffering wayfarer. I have never really got used to being on this earth. Sometimes I think our presence here is due to a cosmic blunder, that we were meant for another planet altogether, with other arrangements, and other laws, and other, grimmer skies. I try to imagine it, our true place, off on the far side of the galaxy, whirling and whirling. And the ones who were meant for here, are they out there, baffled and homesick, like us? No, they would have become extinct long ago. How could they survive, these gentle earthlings, in a world that was made to contain us?”

#26
July 18, 2014
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|k| clippings: 2014-07-17 — every day is a first day

WORK

from “For the Player”

#25
July 17, 2014
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|k| clippings: 2014-07-16 — for Kara Lynn Morgan

Grief is the saddest anger. A friend’s daughter is dead and there’s nothing I can do for either of them. I share this poem selfishly, as is my selfish grief’s wont; I’ve posted a longer poem for both of them on the clippings blog.

#24
July 16, 2014
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|k| clippings: 2014-07-15 — if wishes were horses...

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“Against Surrealism”

#23
July 15, 2014
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|k| clippings: 2014-07-14 — sockdolagers and scientists

Now this is what I call science writing. Beyond the conventions of the genre. Telling the story.

WORK

#22
July 14, 2014
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|k| clippings: 2014-07-13 — Salmagundi Sunday

It’s Salmagundi Sunday, where I share the “best of the rest” — great links that didn’t make the cut for last week’s newsletter:

#21
July 13, 2014
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|k| clippings: 2014-07-12 — panegyrics and tiny poems

Today, one of the shortest poems around. Created by Aram Saroyan in 1965, who arguably holds the world record for an even shorter poem, this poem remains controversial today. I’m still not sure what I think about it.

WORK

#20
July 12, 2014
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|k| clippings: 2014-07-11 — Falling to Earth

My daughter is moving away today. This is the final stanza of the poem she was named after. It was one of the first formal poems whose language I studied, but more importantly one whose theme struck me because I was close to an uncle who was in prison then (he’d end up serving 34 years). My daughter has part of this poem tattooed on her back. And so things wend their way through generations.

WORK

#19
July 11, 2014
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|k| clippings: 2014-07-10 — tread lightly

A sunny morning here in the North. So. Much. Light. It still doesn’t get dark. Not outside my head, at least. Today, a dip into (formerly) popular culture.

WORK

#18
July 10, 2014
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|k| clippings: 2014-07-09 — hope full of holes

An old favorite today, a poem I turn to for solace on days I want to disappear. It gives me some small hope that transformation is possible instead.

WORK

“The Jewel”

#17
July 9, 2014
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|k| clippings: 2014-07-08

Walcott’s poem is deceptively complex. It’s about life and gratitude for that life while we have it, but could have been accurately titled “Life After Life.” It’s about summation and invitation. It’s about the strange that is us. And if none of that interests you, how about knowing it’s one of Tom Hiddleston’s favorite poems? Hear him read it with his perfect-for-poetry voice.

WORK

#16
July 8, 2014
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|k| clippings: 2014-07-04 — Time and Chronons

The past compresses in my memory and understanding: there are things that happened recently, things that happened in the lifetime of my memory and then everything else jumbles together into “the past,” like the (mythical?) tribe whose counting system consisted of 1, 2 and many. Then something clicks, like seeing a note that Cleopatra’s reign was far closer to our time than hers was to the building of the pyramids, and I realize my simplistic system flattens too much.

WORK

#15
July 7, 2014
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|k| clippings: 2014-07-06 — Salmagundi Sunday

It’s Salmagundi Sunday, where I share the “best of the rest” — great links that didn’t make the cut for last week’s newsletter.

#14
July 6, 2014
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|k| clippings: 2014-07-04 — from early beginning to final end

The second paragraph of today’s selection rang my bell. It gets at the reason I spend time putting these newsletters together. To be unafraid to share art means being unafraid to love it in the first place. That happens, in part, through sharing. And so the cycle goes.

WORK

"After [her first book] came out, I put Lieberman on the shortlist for a Stranger Genius Award in literature. Part of my rationale for shortlisting her, rather than giving her the award outright, was that she was young for a poet, that she’d surely have other, and even better, books of poetry in years to come. And now, that even better book of poetry is here, and I can’t track Lieberman down on some balcony after a reading and tell her how much I love it. There will be no more books after this one.

#13
July 5, 2014
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|k| clippings: 2014-07-04

Lately, but especially today, it’s hard for me not to think of America as one big, messy, Ozymandian work. She is mighty still; still I despair…

WORK

“America”

#12
July 4, 2014
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|k| clippings: 2014-07-03

The Oxford American Writer’s Thesaurus is a delightful (splendid, delectable, diverting, satisfying) volume that goes beyond mere synonyms to include word spectrums, usage advice and little jewels of notes from a variety of great authors. I might have switched to Mac sooner if I’d known Apple was smart enough to build it into their operating system. But I recently bought the paper version for the sheer sensual pleasure of browsing it.

WORK

#11
July 3, 2014
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|k| clippings: 2014-07-02

WORK

“The Three Oddest Words”

When I pronounce the word Future, the first syllable already belongs to the past.

#10
July 2, 2014
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|k| clippings: 2014-07-01

It’s hard to capture the playful, skewed perspective of Miranda July’s storytelling in an excerpt—her stories are best apprehended all at once, like a photograph or painting. I’ve given this book away to dozens of people. Some even liked it.

WORK

’She didn’t think she would have bothered if she hadn’t been what people call “very beautiful except for.” This is a special group of citizens living under special laws. Nobody knows what to do with them. We mostly want to stare at them like the optical illusion of a vase made out of the silhouette of two people kissing. Now it is a vase … now it could only be two people kissing … oh, but it is so completely a vase. It is both! Can the world sustain such a contradiction? And this was even better, because as the illusion of prettiness and horribleness flipped back and forth, we flipped with it. We were uglier than her, then suddenly we were lucky not to be her, but then again, at this angle she was too lovely to bear. She was both, we were both, and the world continued to spin.

#9
July 1, 2014
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|k| clippings: 2014-06-30

If you know his work, and given my leaning toward brevity here, you might be surprised to find this poet in clippings. But Peter writes fine poems, short and long.

WORK

#8
June 30, 2014
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|k| clippings: 2014-06-28

Two translations of a poem by Jean Follain, a poet I’ve become infatuated with…which necessarily leads to fascination with the choices made by translators. Such seemingly small differences make, break or significantly change these precise poems’ meaning and aesthetics. See also: the original French and a third translation.

WORK

#7
June 28, 2014
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|k| clippings: 2014-06-27

An excerpt today from a long and apparently polarizing (love it or hate it) book I’m enjoying. Don’t worry, this is as long as clippings get!

WORK

’A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.

#6
June 27, 2014
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|k| clippings: 2014-06-26

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“At the Street Corner”

Maybe my soul’s all right. But my body’s all wrong, All bent and twisted, All this that hurts me so.

#5
June 26, 2014
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|k| clippings: 2014-06-25

WORK

I couldn’t choose between them, so two translations of Rainer Maria Rilke’s final poem, written just ten days before his death. According to his doctor’s letters, Rilke only realized death was imminent three days before he died…making this a poem more about pain than dying.

“Komm du, du Letzer”

#4
June 25, 2014
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|k| clippings: 2014-06-24

Work

“Clothing the Dead”

What is a locust? Its head, a grain of corn; Its neck, the hinge of a knife; Its horns, a bit of thread; Its chest is smooth and burnished; Its body is like a knife handle; Its hock, a saw; its spittle, ink; Its underwings clothing for the dead. On the ground—it is laying eggs; In flight—it is like the clouds. Approaching the ground, it is rain Glittering in the sun; Lighting on a plant, it becomes A pair of scissors; Walking, it becomes A razor. Desolation walks with it.

#3
June 24, 2014
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|k| clippings: 2014-06-23

Work

“Weather”

In the sky’s envelope there is a letter for us. A vast stretch of air in wide orange and white strips. The gentle giant goes in front of us: he is rocking back and forth. He carries a shining ball attached to a thick club.

#2
June 23, 2014
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