katexic clippings

Archive

|k| clippings: 2014-12-31 — musing and meandering

Today, at a time of year when I spend too much time looking backward, a WORD ripe for rehabilitation.

WORK

#151
December 31, 2014
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|k| clippings: 2014-12-29 — silence preserves itself

RIP, Tomaž Šalamun. It has not been a kind year for poets.

WORK

“After This Night”

#150
December 29, 2014
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|k| clippings: 2014-12-27 — could've been light

If I ever change my name, it would probably be to today’s WORD. Or “Eustace.”

WORK

#149
December 27, 2014
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|k| clippings: 2014-12-23 — Look at the bright side

Please indulge me in a longer WORK than usual today. In fact, it’s an entire (short) chapter from what I can honestly call a profoundly moving, poetic book of life…after a flu epidemic has killed 90% or so of the earth’s population.

WORK

#148
December 23, 2014
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|k| clippings: 2014-12-19 — but you...

WORK

“Kelp”

Slowly it blackens on the yellow shore; a hardness thickens more and more in leaf, bulb, flange and rubbery stem along the fringe or scalloped hem

#147
December 19, 2014
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|k| clippings: 2014-12-17 — walking on the moon

WORK

“The Stone Bench”

It’s not enough the neighbor cat climbs it, or pauses. If I thought to lay out milk, we’d be friends. But for the poured concrete

#146
December 17, 2014
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|k| clippings: 2014-12-15 — frankly, my dear...

Today’s WORD comes via Reader C., whose attention and correspondence I appreciate. Also, because of the flurry of email regarding mondegreens (of which misheard song lyrics are an example), I’ve temporarily shared the , in which she coined the term.

#145
December 16, 2014
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|k| clippings: 2014-12-12 — diss-graced

WORK

Although the wind
blows terribly here, the moonlight also leaks between the roof planks of this ruined house.

#144
December 12, 2014
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|k| clippings: 2014-12-10 — 616.89 + 811 = ?

WORK

"But it was not to reassure himself that he had finally determined to look in the library for news of what had happened so many years ago. His anxiety, never entirely soothed during those years, had not focused on the practical consequences of his action. Rather, he had crossed the library’s threshold to discover how he would feel when Lino’s death had been confirmed. From this feeling, he thought, he would be able to judge whether he was still the boy he had once been, obsessed by his own fatal abnormality, or the altogether normal man that he had afterwards wished to be and was convinced he was.

#143
December 10, 2014
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|k| clippings: 2014-12-08 — up is down

I must have read today’s WORD many times but never noticed it. I was gratified to discover that a well-read member of the Clamor felt similarly. My investigation shows it is often confused with “immersion,” which—in one of those linguistic oddities that makes language so fun—is quite the opposite.

WORK

“All the Way”

#142
December 8, 2014
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|k| clippings: 2014-12-05 — emerson emersion

RIP, Claudia Emerson. Another fine poet—and another, by all accounts from friends who knew her, fine person—lost this week.

WORK

Drought

#141
December 5, 2014
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|k| clippings: 2014-12-03 — beard of dreams

WORK

“It seems to me I am trying to tell you a dream—making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams…”

He was silent for a while.

#140
December 3, 2014
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|k| clippings: 2014-12-01 — emptying the wind's pockets

RIP Mark Strand. Indulging in the four prose poems that conclude his recently released Collected Poems seems a fitting tribute to a wonderful writer and—by all accounts—fine man.

WORK

#139
December 1, 2014
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|k| clippings: 2014-11-28 — hidden in the sky

WORK

think: once, a white girl

was kidnapped & that’s the Trojan war.

#138
November 28, 2014
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|k| clippings: 2014-11-26 — Just one more small, lost thing.

WORK

Nat watched them, and he watched the seabirds too. Down in the bay they waited for the tide. They had more patience. Oyster-catchers, redshank, sanderling, and curlew watched by the water’s edge; as the slow sea sucked at the shore and then withdrew, leaving the strip of seaweed bare and the shingle churned, the seabirds raced and ran upon the beaches. Then that same impulse to flight seized upon them too. Crying, whistling, calling, they skimmed the placid sea and left the shore. Make haste, make speed, hurry and be gone: yet where, and to what purpose? The restless urge of autumn, unsatisfying, sad, had put a spell upon them and they must flock, and wheel, and cry; they must spill themselves of motion before winter came.

#137
November 26, 2014
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|k| clippings: 2014-11-24 — the blue bus calling

Today’s WORD arrives nearly simultaneously with the new David Foster Wallace Reader, an author whose final book I’ve left partially unread because I’m not ready to contain the knowledge of having read every word he intended to share with the world.

WORK

#136
November 24, 2014
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|k| clippings: 2014-11-22 — a cave and a bottle of rum

Today’s WORD would be popular if people were honest and used a more accurate term than “misanthropic.”

WORK

#135
November 22, 2014
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|k| clippings: 2014-11-20 — two sleeps, perchance to dream?

Sometimes an incidental line, a throwaway, worms its way into the deepest recesses of my feeble brain. “They scrutinize the small print on packages, wary of a second level of betrayal” is one such sentence, etched into my mental circuitry.

WORK

“The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers. They walk in a fragmented trance, stop and go, clusters of well-dressed figures frozen in the aisles, trying to figure out the pattern, discern the underlying logic, trying to remember where they’d seen the Cream of Wheat. They see no reason for it, find no sense in it. The scouring pads are with the hand soap now, the condiments are scattered. The older the man or woman, the more carefully dressed and groomed. Men in Sansabelt slacks and bright knit shirts. Women with a powdered and fussy look, a self-conscious air, prepared for some anxious event. They turn into the wrong aisle, peer along the shelves, sometimes stop abruptly, causing other carts to run into them. Only the generic food is where it was, white packages plainly labeled. The men consult lists, the women do not. There is a sense of wandering now, an aimless and haunted mood, sweet-tempered people taken to the edge. They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.”

#134
November 20, 2014
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|k| clippings: 2014-11-18 — hooked on phonics

Reading today’s WORK made me think of the poet Jack Spicer’s last words, “my vocabulary did this to me.” Whatever it does, language does to each of us in its own way.

WORK

#133
November 18, 2014
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|k| clippings: 2014-11-17 — art's vorpal blade

The weekly digest debuts this Sunday. If you’d like to switch your subscription from daily to weekly, send an email to chris+weekly@katexic.com and I’ll take care of it. Note: the weekly digest will be lengthy, containing everything from the daily editions. No "best of" or summary items here...I include the items I do for a reason!

WORK

#132
November 17, 2014
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|k| clippings: 2014-11-15 — bent nearly kneeling

Today’s WORK and WORD come courtesy of Reader B, whose own work and words I admire very much.

WORK

#131
November 15, 2014
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|k| clippings: 2014-11-14 — sugar in the blood

WORK

“Mother of a New Diagnosis”

How alluring is the pine, its needled limbs bent heavy with cones. When all was well

#130
November 14, 2014
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|k| clippings: 2014-11-12 — freud sang, my friend

This newsletter receives no financial compensation from the Chipotle restaurant chain, though I am now hungry for a burrito.

WORK

#129
November 12, 2014
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|k| clippings: 2014-11-11 — poppy poco

Being unable to get a newsletter out yesterday meant being unable to observe the anniversary of the death of poet Miklós Radnóti. If you’re unfamiliar with Radnóti, I hope you’ll take a few minutes to learn about him and his tragic and amazing story.

Today, the poem that inspired the poppy as the symbol of The Great War (and thus Armistice/Veterans Day).

#128
November 11, 2014
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|k| clippings: 2014-11-08 — the singing of the artisans

The real world prevented me from putting out a newsletter yesterday, but I want to note the passing of World Fountain Pen Day. Surely you noticed the inky craziness all around you and wondered, “what’s going on here?”

WORK

#127
November 8, 2014
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|k| clippings: 2014-11-06 — the quick spirited and the dead

WORK

“I have read so many books. And yet, like most Autodidacts, I am never quite sure of what I have gained from them. There are days when I feel I have been able to grasp all there is know in one single gaze, as if invisible branches suddenly spring out of no where, weaving together all the disparate strands of my reading. And then suddenly the meaning escapes, the essence evaporates and no matter how often I reread the same lines they seem to flee ever further with each subsequent reading and I see myself as some mad old fool who thinks her stomach is full because she’s been reading the menu.”

#126
November 6, 2014
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|k| clippings: 2014-11-05 — stone and ice

To answer a few questions about the prospective weekly digest edition of clippings—

#125
November 5, 2014
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|k| clippings: 2014-11-04 — don't mind your manners

As an alternative for those who find daily(ish) email to be too much, I’m gauging interest in a “weekly digest” edition of clippings that would go out on Sundays. If this interests you, press ‘reply’ and let me know.

WORK

#124
November 4, 2014
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|k| clippings: 2014-11-03 — fee fie foul fum

Follow the source link to read the full descriptions which I’ve excerpted for today’s WORK.

WORK

. Oh, you. You pretend to be curmudgeonly, you do, but you really just devour the reading you do in a different way. You’re loving it nearly as much as you’re hating it…

#123
November 3, 2014
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|k| clippings: 2014-11-01 — malmsey were the borograpes

WORK

“We are what we eat,” we are told. But we are also what we do, what we think, what we read…

#122
November 1, 2014
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|k| clippings: 2014-10-31 — i want candy

WORK

Readers may be divided into four classes:

#121
October 31, 2014
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|k| clippings: 2014-10-29 — night and day

WORK

"He had no settled plan of life, nor looked forward at all, but merely lived from day to day. Yet he read a great deal in a desultory manner, without any scheme of study, as chance threw books in his way, and inclination directed him through them.

#120
October 29, 2014
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|k| clippings: 2014-10-28 — rhyme is a fat circle

WORK

“Amphitheatre”

Being alone, the water seemed calmer, his marble ledge more secure than it was. There was one boat coming in, and music from the taverna might have drawn him down. Nothing but a few moments of rest, some accounting of things tethered to him. Beyond that only the mind, gone quiet. Even the gulls forgot he was alive.

#119
October 28, 2014
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|k| clippings: 2014-10-27 — the forest for the trees

A note for the many new readers who subscribed over the weekend—if you’re a Gmail user and this message is in your promotions folder, the fix is simple: drag one of the clippings emails to the “Primary” tab (or right-click on the email and move it) and then answer “Yes” when asked about applying this to future mail. Here’s a nice visual tutorial on how to do that.

#118
October 27, 2014
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|k| clippings: 2014-10-25 — a centenary of dreams and yearns

A themed issue today. I don’t do these often, but despite his death when I was just two, John Berryman has become a central figure in my life. He worked ceaselessly, it’s true, but he also had a gift—clearly evident in his diaries and correspondence—for the unexpected word, the surprising twist of thought and phrase, that could transform the journey of a line, poem or letter. We can miss someone we’ve never known.

WORK

#117
October 25, 2014
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|k| clippings: 2014-10-23 — catalog, tally, checklist, roll, enumeration, tabulation

Attention Gmail users— many users have mentioned that clippings is now showing up in their “promotions” tab or otherwise being filtered. If this is happening to you, the fix is easy: drag one of the clippings emails to the “Primary” tab (or right-click on the email and move it) and then answer “Yes” when asked about applying this to future mail. Here’s a nice visual tutorial on how to do that.

Now on to some self-indulgent, focused-on-my-enthusiasms, hey-it’s-my-birthday-so-deal-with-it, stuff…

WORK

“Snow Storm”

Tumult, weeping, many new ghosts.
Heartbroken, aging, alone, I sing
To myself. Ragged mist settles
In the spreading dusk. Snow skurries
In the coiling wind. The wineglass
Is spilled. The bottle is empty.
The fire has gone out in the stove.
Everywhere men speak in whispers.
I brood on the uselessness of letters.

—Tu Fu (translated by Kenneth Rexroth)
—from One Hundred Poems from the Chinese

WORD(S)

Illustration by Anjana Iyer

WEB

  1. The Book Arts Web (aka Philobiblon) is the hub for bookbinders and book artists with great stuff for everyone from novices to amazing master craftspeople. You don’t have to make books to appreciate some of the amazing work connected here. At least check out the (lamentably discontinued) online magazine, The Bone Folder.

  2. The Origami community has exploded with video tutorials on the web, but a few artists are head-and-shoulders above the rest: Sara Adams (who pioneered many new presentation techniques), Leyla Torres, Tadashi Mori, Jo Nakashima and Evan Zodl. The best discussions to be had are on The Origami Forum and the Origami-L Mailing List.

  3. I love lists. You should too. Some links for listophiles: Umberto Eco’s heavily illustrated book Infinity of Lists, the Lists of Note blog, the Book(s) of Lists, the Listography books and site, Christopher Smart “on his cat Joeffrey”, Gregory Orr on accidentally shooting his brother, and Todoist list management software.

  4. Today in 1970, Chris Lott is born. Read some epitaphs he is considering. Hear him butcher two of his favorite poems. See the most popular image he’s shared (500,000+ views, what?), his most popular origami fold and the (inexplicably) most popular original flickr photo. See the first image result for “Chris Lott” (definitely not him). Read the last poems (or poem like things) he’ll ever write. He burned the rest of his web stuff down a year ago. He may or may not rise again. Until then, move along, there’s nothing to see there.

  5. Also on this day in history: Brutus commits suicide, Johnny Carson & Robert Bridges & Weird Al are born, Richard Lovelace (who wrote the poem I named my daughter after) and Zane Grey died, Bork was Borked, Clarence Thomas was sworn in, a suicide bomber killed 243 Marines in Beirut, the first iPod was introduced, according to the calculations of Archbishop James Ussher the creation of the world began (in 4004 BC) and Dumbo is released (the film, not my birth).

REPRISES/RESPONSES/REJOINDERS/RIPOSTES

  • Thanks for the birthday wishes, Reader A., Reader C., Reader K., Reader V., and others.

I welcome comments, suggestions, thoughts, feedback and all manner of what-have-you. Just press ‘Reply’ or email to: clippings@katexic.com.

And please feel free to share anything here as far and wide as you want! If you want to give a shout-out, please link to: http://katexic.com/clippings/.

#116
October 23, 2014
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|k| clippings: 2014-10-22 — the ticking clock

Calling WORDs like today’s example “untranslatable” is an obvious misnomer, but there are many words in other languages that don’t have single-word or sometimes even single phrase equivalents. German, of course, has many…too many of which apply to me.

WORK

“Masks”

#115
October 22, 2014
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|k| clippings: 2014-10-21 — the nubile of the narcissus

WORK

What is an Epigram? A dwarfish whole,
Its body brevity, and wit its soul.

#114
October 21, 2014
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|k| clippings: 2014-10-20 — taking the bait

WORK

you fit into me
like a hook into an eye

#113
October 20, 2014
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|k| clippings: 2014-10-17 — a whisper and a wheeple

WORK

“A Dream”

Last night I dreamed that I died. I wasn’t old, sick or wounded in the dream, but my wife and I both knew I would die soon.

#112
October 17, 2014
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|k| clippings: 2014-10-16 — they feed the(y) lion(s)

Thanks to a snail-mail correspondent, I recently (and serendipitously) learned of Thomas Lynch, undertaker and essayist, whose splendid prose regularly reveals his own poet’s heart.

WORK

#111
October 16, 2014
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|k| clippings: 2014-10-15 — wooden souls

WORK

“Inscription”

Stinking bird no nightingale sitting on my grave fly up sing listen to my hurt voice I tried to make lovesongs that would turn heaven into earth I tried by suffering well that was my own stupidity now that I’m dead now that I’m you maybe God will make me happy I doubt it but God can’t wait bird come back perch on my stone weep make up a new song the one I couldn’t sing leave one of your tiny innocent shits on the silent marble.

#110
October 15, 2014
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|k| clippings: 2014-10-14 — i see them as they are to is

WORK

“Gilding the Lily”

To keep anxiety at bay, my friend called chemo . Those insects—christened, in places, the devil’s darning needles—hover as they contort their joined bodies into a heart, the male with pincers. Finger cutter, horse killer, ear stick, eye pisser. . As a slow drip through an IV. As a pill. Through a port into a vein. She called nausea . Just the same, we name our storms to lessen them—not a tropical cyclone, but , with ballet shoes and bun. Tumors, too, were , waiting at the bus stop with backpacks in the morning. Cindy French braids Carrie’s hair, yanking at the scalp to form the tight crisscross. Not hair loss, but . She gave us the new lexicon on stationery embossed with a red rose speckled by raindrops. The stem still had its thorns. Ring-around-the-rosy, red rover, red rover, send her right over. She called death the : the dragon courting its damsel, catheter tubing in the wastebin, video of a toddler biting his brother, pas de deux, full-sugar ice cream, Crimson Queen, Trumpeter, Red Knockout, Tuscany Superb…I knew her as Rose Shapiro. At the funeral I learned she was born : to cross the river, to pass a glass of water.

#109
October 14, 2014
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|k| clippings: 2014-10-13 — skeptics, fools and flourishes

RIP, Carolyn Kizer. I associate her with two things more personal than poems: hearing Peggy Shumaker read a now-forgotten poem in a class years ago (which may have confused things, Peggy could make any poem sound good) and her funny-because-it’s-true (at least for me) observation that “poets are primarily concerned with death and commas.”

WORK

#108
October 13, 2014
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|k| clippings: 2014-10-10 — fear of/or forever

It’s obvious from John Darnielle’s songs with The Mountain Goats that he’s a poet who happens to use music as a vehicle for his poems. It turns out he’s a talented novelist as well. Darnielle's debut, Wolf in White Van (rightfully shortlisted for the National Book Award), tells the intertwined stories of a snail-mail game designer whose game is taken tragically literally and, in reverse, the story of his life leading inexorably back to his disfigurement at 17. Heartbreaking, poetic and occasionally terrifying.

WORK

Nurses and doctors come and go, and family. It’s like they’re visiting a person at his lonely outpost on the space station, miles above the earth. How do they get there—just coming in through the door like that? In the brief moment between infinite communion with the ceiling and the beginning of whatever conversation they’ve come to strike up, it seems like the deepest mystery in the world. And then they break the spell, and the world contracts, palpably shifts from one reality into a new and much more unpleasant one, in which there is pain, and suffering, and people who when they are hurt stay hurt for a long time or sometimes forever, if there is such a thing as forever. Forever is a question you start asking when you look at the ceiling. It becomes a word you hear in the same way that people who associate sound with color might hear a flat sky-blue. The open sky through which forgotten satellites travel. Forever.

—John Darnielle
—from Wolf in White Van

Bonus: the title of Darnielle’s novel comes from what Larry Norman’s 70’s Christian folk-track “Six Sixty Six” seems to say when played backward. Hear this—and many more examples–on the music reversals database page.

WORD(S)

impavid. adjective. Fearless, brave. From Latin im (not) + pavidus (fearful).

“…by holding the smouldering feather of a vulture under a baby’s nose you render the child valiant and brave like a vulture, and if you do the same with a peacock’s feather, your offspring will be, like a peacock, impavid and never dismayed by thunder or other terrible noises.” (James Frazer)

“…Impavid as the Horatian model-man.” (G. A. Lawerence)

“Thou art beautiful, thou art strong, an impavid colossus…” (Brazilian National Anthem)

WEB

  1. “50 Cultural Icons on Their Favorite Books”. A few of these made me love harder. Hat-tip: Reader C.

  2. “Whose soul is stamped on a work of art? On a tool? On a scientific specimen? What does it mean if we conflate realness with human essence?” → “Museum 2.0: Is it Real? Artwork, Authenticity…and Cognitive Science”

  3. The In Vitro Meat Cookbook: Recipes as Design Fiction. The recipe for this book: start with an ingredient that doesn’t exist.

  4. Browse most of the Slim Gaillard Vout-O-Reenee Dictionary of Gaillard’s invented “Vout” language. Which comes in handy when ►listening to this talented pianist, singer and showman.

  5. October 10 is the National Day of the Republic of China (Taiwan), AKA Double Ten Day, commemorating the start of the 1911 Wuchang Uprising which led to the collapse of the Qing Dynasty and establishment of the Republic of China. Given recent events in Hong Kong and the much higher likelihood of government concessions to Taiwan’s pro-democracy activists, this year’s celebrations should be interesting…and tense.

REPRISES/RESPONSES/REJOINDERS/RIPOSTES

  • Reader B. writes about yesterday’s issue: “Nabokov, Poe, an intro to Jade Bos, all wrapped in a Pink Floyd bow. Another winner!”

  • Reader T. expands on yesterday’s WORD: “Your word of the day reminds me of another use of ‘azure’ related to Lolita by way of Stanley Kubrick: Alex’s response to Mr. Deltoid in A Clockwork Orange: ”As an unmuddied lake, sir. As clear as an azure sky of deepest summer."

  • Reader M., hookers and cake: “I bought the Kindle version of Hookers or Cake. I’ve included a screenshot of one page for your perusal. Enjoy. Book is weird.”


I welcome comments, suggestions, thoughts, feedback and all manner of what-have-you. Just press ‘Reply’ or email to: clippings@katexic.com.

And please feel free to share anything here as far and wide as you want! If you want to give a shout-out, please link to: http://katexic.com/clippings/.

#107
October 10, 2014
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|k| clippings: 2014-10-09 — blues skies and pain

I’ve been working on “blackout poems” using Nabokov’s Lolita as a source text…so the serendipity of today’s connection was impossible to pass up. If you haven’t read Lolita, need I say you should? It’s an insanely beautiful grotesque full of wordplay by one of the greatest writers ever.

#106
October 9, 2014
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|k| clippings: 2014-10-08 — force and flames

I wanted to share something from the surprisingly gripping novel The Queen’s Gambit by Walter Tevis (author of The Hustler and ), but the story of a young, orphaned, female chess prodigy (who is equally prodigious at self-medication) is written in a style as plain as it is enthralling…not the makings of a good excerpt. I highly recommend it. You don’t need to know anything about chess but if you do, you will be surprised at the accuracy of the details.

#105
October 8, 2014
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|k| clippings: 2014-10-07 — heavy weather

WORK

Thomas stood up and walked away. He wouldn’t even try to tell us any stories again for a few years. We had never been very good to him, even as boys, but he had always been kind to us. When he stopped even looking at me, I was hurt. How do you explain that?

Before he left for good, though, he turned back to Junior and me and yelled at us. I couldn’t really understand what he was saying, but Junior swore he told us not to slow dance with our skeletons.

#104
October 7, 2014
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|k| clippings: 2014-10-06 — snail mail of doom

WORK

Is letter writing, in the artistic sense, a lost accomplishment? There are plenty of people who would not linger long over a reply. It is often asserted that Rowland Hill and the penny post killed the old-fashioned style of letter. That is not true, however, for it survived in old-fashioned hands into the mid-Victorian era, when it received its by the invention of what our fathers, when in a superior mood, called that “modern abomination,” the ubiquitous post-card. Correspondence has since its advent grown pithy, brisk, prosaic. The majority of men have not the time in this cast-iron, express-paced age, with its telegraphs and telephones, and constant business and social demands, for the old elaborate letter of genial gossip and kindly compliment. Sentiment, some would even say, is at a discount, and whatever may be the cause, imagination and fancy, to say nothing of wit and humor, have grown curiously rare under a penny stamp. The world is too much with us now. Our interests are too many, our work too insistent, our mental indolence perhaps too great, for that expansive style of correspondence which has vanished for the most part with quill pens and sealing wax.

#103
October 6, 2014
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|k| clippings: 2014-10-05 — 9 primes in time

Today clippings turns 100 (issues)! Toddlery milestones to look forward to over the next 100 include little katexic taking its first wobbly steps, picking up new words, obeying two-step directions, increased defiance and interest in using the toilet.

#102
October 5, 2014
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