Today’s WATCH is a simultaneous discovery also shared by Reader C., who has contributed some great stuff lately...including pointing out the book that today’s WORK comes from, which is a wonderful thing: Trotta tells the story of cosmology’s greatest discoveries and mysteries using only the 1000 most commonly used words in English.
WORK
"Some of her friends, people she went to college with, have become a different kind of student-person. They are trying to catch the whisper of the dark matter rain all around us.
And to do that, they need silence.
But not a normal kind of silence. They need to silence all other kinds of normal drops that would usually scream over the quiet dark matter drops.
To do so, they have to find a place where normal drops can’t get to.
There are all kinds of normal drops flying around that you must take out, or else you could confuse their chuckle for the dark matter whisper.
Loud sounds come from bursts of fast drops coming from the sky. To take those out, student-people build dark matter ears deep inside rocks. Sometimes, they put the dark matter ears in deep mines, where other people bore to look for pretty things to put on their fingers.
Those are silent places, perfect for listening to dark matter."
—Roberto Trotter
—from The Edge of the Sky: All You Need to Know About the All-There-Is
WORD(S)
glossolalia. noun. Speaking in tongues; using a fabricated language. Particularly when associated with a trance state, schizophrenia or ecstatic religious speech. From Greek glossa (tongue, language) + lalia (talk, prattle, a speaking). [Thanks, Reader T.]
“Those soliloquies of ecstatic spiritual emotion which were known as Glossolalia, or, ‘the Gift of Tongues’.” (Frederic Farrar)
“Though many glossolalists believe they are speaking a real but unknown language, the utterance patterns are quite unlike ordinary language.” (David Crystal)
“Oblivious, the holy man continued his wheezy glossolalia, the goiter in his neck bobbing up and down.” (Robert Boyczuk)
“Long after dark
the men are raveled at a reddened stone
that beats back what cannot be seen, in kin-
dled twos, duplicity, the tongues of love,
the glossolalia of fire.”
(Heather McHugh)
WEB
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A familiar spam mail scam…from 1797 → Letter Scam
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Waffles? Yes. Keyboard waffles made with a typewriter waffle iron? Yes, please. → Interview With Chris Dimino: the Designer of the Waffle Iron Typewriter
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ClickHole is becoming a favorite stop when I need a laugh. → This Spoken Word Poem Is Amazing Even If It Appears To Be Mainly About Don Henley
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On bibliotherapy (my own most productive form of self-medication) → Can Reading Make You Happier?
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Today in 1865, poet and Nobel Prize winner W.B. Yeats is born in Sandymount, Ireland. It’s hard to know where to start with a writer of Yeats’ poetic power as I myself am only just beginning to learn to “lie down where all the ladders start / In the foul rag and bone shop of the heart.” His use of symbols, his lifelong exploration of traditional form while modernism and free verse poetry was on the steep ascendant, the subtle music of his language, the sweetness and severity…just read some of Yeats’ poems. And read them slowly. Savor them. If there’s any problem with Yeats’ work it’s that so many of us have become unaccustomed to reading poems such as his that the musicality is lost. Maybe make the reading a bit of meditative time in honor of his birthday.
WATCH/WITNESS

“Space Weird Thing” by Marian Call, “a sweded parody of ‘Space Oddity,’ the David Bowie song (and music video). The lyrics contain only the thousand most common words in English. It’s a loving tribute to David Bowie and it’s inspired by Flight of the Conchords, Michel Gondry, and especially the Up-Goer Five diagram by Randall Munroe.”
REPRISES/RESPONSES/REJOINDERS/RIPOSTES
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Reader N. has my back: “It is my opinion that Former Reader T. is lacking in intellectual curiosity. Nothing feels less pretentious and less real than Katexic. The subjects you address are amongst the most urgent in the world for me. Former Reader T. sounds like a devotee of Disney World, if I may fling a few stones.”
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And Reader J. has thoughts on that too: “Don’t let this get to you, Chris—you’re doing fine. Odd thing about the WWW: no one goes gentle (i.e., quietly) into that good night. Everyone feels the compulsion to register one last squawk. I suppose that’s Democracy In Action and we should say yay: but for people like me, of a generation that regards tweeting as silly (information as conspicuous/imperspicuous production), a climate of whining is everywhere, like Pythagoras’s harmony of the spheres, only ceaselessly audible. If there isn’t a song with the refrain ‘Shut up and go,’ there should be.”
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Reader F. investigated Reader N.’s ‘cellar door’ comment: As I always cite Poe as the originator of the comment that ‘cellar door’ is the most beautiful phrase in the English language, I decided to check out my favorite source for authenticity—Wikipedia, of course—when I saw it attributed to Auden by a Katexic reader. I submit the following, which appears in the midst of a very long dissertation on the two words under discussion. What it may signal, perhaps, is that Auden knew his Poe. ¶ Here is the Wikipedia comment:
A story told by syndicated columnists Frank Colby in 1949 and L. M. Boyd in 1979 holds that ‘cellar door’ was Edgar Allan Poe’s favorite phrase, and that the refrain Nevermore in ‘The Raven’ was chosen as ‘the closest word to ‘cellar door’ he could think of.’ This may derive from a 1914 essay by Alma Blount:
Poe, who studied sound effects carefully, says that he chose ‘Nevermore’ as the refrain for The Raven largely because the word contains the most sonorous vowel, o, and the most ‘producible’ consonant, r. An amusing story is told of an Italian lady who knew not a word of English, but who, when she heard the word cellar-door, was convinced that English must be a most musical language. If the word were not in our minds hopelessly attached to a humble significance, we, too, might be charmed by its combination of spirant, liquids, and vowels.
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