| 1 |
β Truck Violence
β My dog would fuck the air
Truck Violence's latest single pairs lo-fi guitar fuzz with a deadpan vocal delivery, the title as absurdist as the murky production surrounding it.
Consequence of Sound, The Quietus
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| 2 |
β Madonna
β I Feel So Free
Madonna strips back her sound to synth-pop essentials for this July single, her voice riding clean, retro-leaning synths that recall her 80s work.
Consequence of Sound, Pitchfork Best New Albums
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| 3 |
Akusmi
β A Waking Dream
Akusmi layers ethereal vocal loops and ambient textures into a track that exists somewhere between meditation and dream-pop.
The Quietus
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| 4 |
Pomelo
β Family Tree
Pomelo builds 'Family Tree' from sparse acoustic bones and layered strings, creating an intimate portrait across the generation-spanning narrative.
The Quietus
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| 5 |
Sophia Stel
β Molly in the Club
pop
Title track from Sophia Stel's June debut album, 'Molly in the Club' pairs house-adjacent beats with sly, observational lyrics about night-life and connection.
Gorilla vs. Bear
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| 6 |
Laura Veirs
β Pulse
indie-folk
A beautiful track from Laura Veirs' new album Temple Songs.
Stereogum
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| 7 |
Troy the Band
β Porous
Troy the Band's 'Porous' uses repetitive melodic phrases and textural synths to create a sense of erosion, letting space leak into the mix.
Decibel Magazine
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| 8 |
Georgia Gets By
β Faded Rose
indie pop
The opening cut from Georgia Gets By's 'Heavy Meadow' uses fingerpicking and reverb-soaked vocals to establish a melancholic, introspective mood.
Gorilla vs. Bear
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| 9 |
Spacemoth
β Do We Exist?
Spacemoth layers synth-pad drones and processed field recordings into a track that questions existence through sound design as much as lyrics.
Bandcamp Daily
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| 10 |
Nelson Comes To Visit
β I Was On Fire (But Now I'm Fine)
emo
The lead single from Nelson Comes To Visit's album We Emit A Visible Light That Vanishes When We Die.
Stereogum
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| 11 |
Angela Autumn
β Mountain Stream
folk
A preview from Angela Autumn's second album Believer, arriving this fall.
Stereogum
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| 12 |
Debt Rag
β Gold Stuff
Debt Rag's single brews beneath a haze of guitar distortion and deadpan speaking-voice vocals, treating commodities and worth with sardonic distance.
The Quietus
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| 13 |
Tove Styrke
β Sunflower
alt-pop
Gentle new single arrives as Styrke renames her fifth record after realizing the songs hit closer to home than intended.
Line of Best Fit
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| 14 |
Jorja Smith
β Alive
R&B
A collaboration with Wizkid from Jorja Smith's upcoming album What Are The Odds.
Stereogum
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| 15 |
Crud
β Demiurge Blues
sludge
Florida sludge band's first single from their second album Human Decency.
Decibel Magazine
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| 16 |
Mary in the Junkyard
β Mantra III
Mary in the Junkyard sets meditation-like vocal repetition against sparse, almost liturgical instrumentation, the third in what appears to be a related series.
Bandcamp Daily
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| 17 |
Margaret Glaspy
β That Rose
singer-songwriter
A new song from Margaret Glaspy's album I Am Both.
Stereogum
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| 18 |
Djrum
β I Wander (IV + V)
electronic
A section from Djrum's new EP I Wander, designed as one continuous piece of music.
Stereogum
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| 19 |
Ibeyi
β Olokun
Ibeyi's 'Olokun' pairs percussive layering and vocal harmonies rooted in Yoruba tradition with modern production touches, honoring oceanic mythology.
Pitchfork Best New Albums
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| 20 |
Westside Cowboy
β Pin Up Boys
rock
A second preview from the young Manchester rockers' debut LP It Goes On.
Stereogum
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| 21 |
Living Weapon
β The Leaving Process
metalcore
A track from the Boston metalcore band's full-length debut, featuring the intensity of frontman Jonathan Lhaubouet.
Stereogum
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| 22 |
Dééfait
β I Promise To Divide You
noise rock
French noise rockers reject meaning for oblique tension, creating a snapshot of hypnotic unease.
Line of Best Fit
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| 23 |
Helen Svoboda
β If
Helen Svoboda's single unfolds as sparse piano and voice, letting silence and restraint carry the emotional weight of a single conditional word.
The Quietus
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| 24 |
Captain Crocodile
β Fragmented Tool
slowcore electronic
Sheffield slowcore outfit returns to their alternative-electronica roots with slushy psychedelia.
Line of Best Fit
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| 25 |
Dying 4
β Strafe
art-rock
A track from the debut EP Perish Songs, blending art-damaged emo with UK garage and bassline.
Stereogum
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| 26 |
Bloc Party
β Love Bombs
post-punk
A dissonant, oddball serenade from Bloc Party's upcoming record Anatomy Of A Brief Romance.
Stereogum
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| 27 |
Iron Linings
β Error City
noise rock
First single from the noise rock trio's debut full-length Urban Abyss.
Decibel Magazine
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| 28 |
Peter Gabriel
β I Belong To The Sky
art-rock
A new song from Peter Gabriel's ongoing o/i project, whose releases align with lunar cycles.
Stereogum
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| 29 |
Wolf Alice
β Gospel Oak
alt-rock
A B-side from the UK alt-rockers' pop-leaning record The Clearing.
Stereogum
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| 30 |
Sweetbreads
β Ben
indie pop
New York singer-songwriter Melody Stolpp shares a campy single ahead of her debut album.
Line of Best Fit
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| 31 |
Homeboy Sandman & Jack Splash
β Twentyfourseven
hip-hop
The lead single from Homeboy Sandman and Jack Splash's collaborative album Resonance Frequency.
Stereogum
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| 32 |
Simona Castricum
β Rupture
post-punk
Lead single leans hard into post-punk drag aesthetics with analogue broadcast visuals.
Line of Best Fit
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| 33 |
Strict Face
β Ode to the Meatheads
braindance
Adelaide producer crafts a clubby instrumental about brainlessness after the office.
Line of Best Fit
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| 34 |
Slothrust
β Burn The Deck
rock
A new track from Slothrust, shared ahead of their Dystopian Theatre Tour.
Stereogum
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