| 1 |
⭐ The Avalanches
— Can't Get Over Losing You
electronic
Features Portraits Of Tracy and marks the announcement of the album No Bad Memories.
Consequence of Sound, Stereogum
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| 2 |
Squid Pisser
— Tumors
hardcore
Featuring GWAR's Grodius Maximus, a raging hardcore assault.
Decibel Magazine
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| 3 |
Ravyn Lenae
— Handle
Ravyn Lenae's 'Handle' arrives with layered vocals and R&B inflected production, a track that finds softness in restraint.
Pitchfork Best New Albums
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| 4 |
Nora Stanley
— Bonsai
Nora Stanley's 'Bonsai' pairs sparse instrumentation with precise vocal work, cultivating intimacy through deliberate space.
Bandcamp Daily
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| 5 |
Projector
— Living Resources
melodic death metal
Chilean melodic death metal masters deliver frosty Swedish-influenced vibes on this new single.
Decibel Magazine
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| 6 |
Suzi
— Short Lived
indie rock
Melbourne indie rocker's self-released single that's quietly built her reputation beyond Australia's east coast.
Line of Best Fit
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| 7 |
The Linda Lindas
— Blood On Our Hands
hardcore punk
A hardcore beatdown led by bassist Eloise Wong that addresses complicity in mass murder.
Line of Best Fit
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| 8 |
Lil Uzi Vert
— Maverick Intro
The intro to Lil Uzi Vert's project establishes tone through minimalist production and spoken cadence.
The FADER
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| 9 |
Untu
— The Dukun's Hand
thrash metal
Indonesian thrash metal group fuses traditional gamelan with heavy instrumentation in this visceral single.
Invisible Oranges
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| 10 |
Sebastian Schub
— Haven't Found Love
singer-songwriter
A new single from the Hamburg-born, London-based artist ahead of his debut full-length record.
Line of Best Fit
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| 11 |
Patrick Belaga
— Axis
Patrick Belaga's 'Axis' balances drone elements with subtle melodic pulls, a piece built on gravitational tension.
Bandcamp Daily
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| 12 |
Visceral Contempt
— Vc
Visceral Contempt's self-titled cut channels raw noise into structured aggression, unpolished and direct.
Decibel Magazine
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| 13 |
Hulder
— Drie Raven (Intro)
Hulder's intro unfolds like field recordings meeting folk aesthetics, setting a narrative before the full album arrives.
Pitchfork Best New Albums
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| 14 |
Hourloupe
— Broken circle
Hourloupe's 'Broken circle' builds from fragmented samples and experimental percussion, never quite completing its shape.
Bandcamp Daily
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| 15 |
Team Dresch
— Growing Underground
queercore
Second track from queercore pioneers' first album in 30 years, accompanied by a stop-motion shadow puppet video.
Line of Best Fit
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| 16 |
Two Shell
— Closer To The Sound
dance
The London duo openly uses AI as an instrument in their production process.
Stereogum
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| 17 |
Alabama Shakes
— Garden
soul
A soft and sultry Southern soul track from the comeback album I Must Be Dreaming, with Brittany Howard sounding genuinely distressed about how the subject is being treated.
Stereogum
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| 18 |
Benny The Butcher
— Summer '26
hip-hop
Harry Fraud chops up the Lovin' Spoonful's Summer In The City over soulful boom-bop production while Benny delivers breathless bars.
Stereogum
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| 19 |
Brooke Combe
— Love Was Made Of Stone
singer-songwriter
New single from the Scottish singer-songwriter.
Line of Best Fit
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| 20 |
Slayyyter
— brand new chanel$
pop
Girl who's going to be okay pop that ties together a Slayyyter summer.
The FADER
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| 21 |
The Van Pelt
— Kris Is Riding Horses In Ojai
indie rock
Lead single from the cult American indie rock band's fifth studio album Remain Obscure.
Line of Best Fit
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| 22 |
JGrrey
— bedbug
trip-hop
Features Erick The Architect and announces the South London artist's debut album you, me and jen.
Stereogum
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| 23 |
Jacques Greene
— Presence
electronic
Announces the Canadian musician's new LP jg, which features collaborations with Nosaj Thing, CFCF, and others.
Stereogum
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| 24 |
DIIV
— The Fountain
indie rock
Produced by A.G. Cook, a surprising quick follow-up to the album Frog In Boiling Water.
Stereogum
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| 25 |
leo
— Qwershape
leo's 'Qwershape' moves through glitchy production and unconventional song structure, prioritizing texture over melody.
Bandcamp Daily
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| 26 |
Roy Montgomery & Martha Skye Murphy
— At Dawn
Roy Montgomery and Martha Skye Murphy's 'At Dawn' layers guitar and voice as complementary textures, both weathered and observant.
The Quietus
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