Elderflora: A Modern History of Ancient Trees, Jared Farmer
Submitted by Charlie via Liat.
The Overstory, Richard Powers
Appropriate to the previous sentence, I re-read this novel on Friday because I've been trying to write about minerals kind of from the perspective of a mineral and The Overstory's approach to writing about trees is an inescapable point of reference. In some ways I think it's harder to write the lives of minerals than trees because minerals are generally understood as enabling biological life rather than part of it—passive, incidental witnesses to the emergence of cellular life, not themselves agents. This isn't to say Powers had an easier task—writing about/as trees is not an easy task! And yes, Powers absolutely has some incredible tree sentences, e.g.:
But! The bottom line is the reason Powers could pull off the incredible tree stuff is because he's already a poet. The non-tree sentences, like the one above, are so exceptionally crafted. Here's some more:
(This sentence describes how a child feels about being hugged by his mother!! Fucking legend, conveying layers of complexity in seven words!!)
This Mastodon thread by @marccold@glammr.us
Submitted by Jaime.
"Why It's Taking So Long", Johanna Hedva for Topical Cream
Read this essay via Maeve reposting it, I think. There is an Ackeresque capaciousness to Hedva's work and this sentence is an excellent encapsulation of that. Incidentally, they published a novel last month.
I'm not sure which early-aughts indie band would have an obscure b-side titled Heckles from the Mystics but I would probably have loved it.
"Clippy designer was too embarrassed to include him in his portfolio", Richard Currie for The Register
Submitted by Wesley. Is any kind of faith more hollow than a multi-billion dollar faith?