Discourse on Colonialism, Aimé Césaire
Submitted by Erin, via the “imperial boomerang” Wikipedia entry.
“Toward A Theory of Kevin Roose”, Albert Burneko for Defector
“San Francisco's Billboards Aren't For You”, Wendy Liu for Bay Area Current
I arrived at SFO on Tuesday afternoon and was immediately accosted by a giant digital screen displaying the Palantir logo. Driving highway 101, the array of billboards on display were about as mind-melting as Liu describes.
“Strength Training”, Phil Christman for The Point
Submitted by Anne with the comment “Apparently Sundays are for reading boys feeling metaphysical and feminist in their lifting.”
“An Excerpt from the Post-Truth and Irreconcilable Differences Commission”, Brendan C. Byrne
This short story first appeared in an issue of Imperica that I couldn’t find online, but it’s in a new collection of Brendan’s short stories (linked above) which I read on the plane to California this week. The story was inspired by a shitpost of mine I think around 2018, and in 2019 Brendan and I collaborated on a newsletter novella further riffing on the premise (which means that I get the honor of appearing in his author bio for probably another couple of years, until he writes a few more books).
The main word I think of with Brendan’s writing is “visceral.” A lot of his characters radiate that on-edge trembling feeling when you haven’t slept enough and need a shower and maybe don’t want to remember how exactly you ended up feeling this grimy and coarse. Not exactly desperate people, maybe haunted people. There’s also a lot of gonzo comedy and weirdos and oblique outcomes. I’m pleased to report that fatherhood has apparently not softened Brendan’s writing one bit.
Some more bangers from the collection:
(that one’s from the short story “The Three Stigmata of Peter Thiel”, which is a wild ride)
“You Sure You’re In The Mood For Another Wes Anderson Film With Everything That’s Going On?”, The Onion
“Amanda Feilding, Eccentric Countess Who Backed Psychedelic Meds, Dies at 82”, Michael S. Rosenwald for the New York Times
Submitted by Anna.
The Way We Live Now, Anthony Trollope
Submitted by Steve with this context: “The sentence is spoken or thought by Lady Carbury, a widow in Victorian England who finds herself in need of money and decides to try her hand at writing history. it’s her reaction to her first review. I think the sentence is a marvel of word economy.”