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I have not been listening to much music lately. But I did listen to Eugen Jochum's 1967 recording of J.S. Bach's St. John Passion in its entirety while cleaning my apartment today.
The Johannes-Passion was first performed on Good Friday of 1724 in Leipzig, in accordance with the Lutheran custom of presenting elaborate musical settings of the Passion of Christ during Holy Week (which itself derives from the much older practice of chanting the Passion narrative from the Gospels). The most well-known movement of the piece is probably the opening chorus, "Herr, unser Herrscher," which is a sort of prelude to the actual Passion narrative. Here's the Jochum recording I mentioned, with the Royal Concertgebouw Orchestra and Netherlands Radio Chorus:
This is sonically crushing, terrifying music. As someone accustomed to newer, "historically informed" recordings of Bach, with only a few singers or instrumentalists on each part, much faster tempos, etc., I remember first listening to Jochum's 1960 recording with the Bavarian Radio Symphony Orchestra and Chorus, which produces a similar effect, and being surprised that Bach could sound like that. The larger chorus really does sound more like the entire mass of desperate humanity. Several times, the chorus exclaims "Herr! Herr! Herr!", and when this occurs on beats 2 and 4, the organ continuo on the preceding beats 1 and 3 is cataclysmic, evoking (for me) the earthquake and the tearing of the temple veil; all the chorus can do is respond in terror. If you think you don't like Bach's choral-orchestral music (and also if you do), you might like this recording.