š” ā 2023-10-31
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Friends! I hope youāre well! Here is a make-up Tuesday post for a missed missive two weeks back; planning on another mailing Friday-or-Monday, schedule permitting. Thereās plenty in the back catalog to share with yāall.
What, you may be asking, has been eating up so much of your time?
Thereās more than one answer. Iām engaged in a massive media archaeology / genre-study research project for YouTube at the moment, about which there is not much I can say, but which has been very fun and fascinating work to do. Though our release schedule has slowed, Fun City nonetheless requires 20-to-30 some hours of work a week here and there. Client work continues apace, our daughter Clem is about to turn one year old (!!!) and I am secretly (not so secretly) piloting a new show.
There is not much significant to share at the moment except: it is an audio-only podcast (for now), it will be about the internet (in the same way Idea Channel was āabout the internetā, but a very different format) and we are planning to launch in January. Weāve made two pilot episodes so far; they were both good, but never intended for release. The show is entirely independently produced; aggressively so, even. And the folks Iām making it with ā mostly old friends ā are very good at what they do.
Thereās a lot to say about making a show, especially now ā with media and tech in the states theyāre in. Iāve been sharing some of that on bsky, if you happen to have an account there, and will be sharing more on my new-ish work-updates-only mailing list. If this sort of thing interests you, there and my Patreon will be the first landing zones for major updates, the first of which should go out this week or next.
Until then ā¦ hereās some stuff that I liked!
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Gonna try something new and start ordering these roughly by ādifficultyā, increasing. Thatās a highly subjective measure, and the breadth of the continuum is dependent upon what all Iāve liked in the last couple weeks. So, you know, just donāt get mad if you think youāre clicking on easy listening and its horrible noise (or vice versa).
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The ānew elitesā of X: Identifying the most influential accounts engaged in Hamas/Israel discourse
The ānew elitesā of X: Identifying the most influential accounts engaged in Hamas/Israel discourse | Center for an Informed Public
With seven accounts racking up a cumulative 1.6 billion tweet views over three days of posts, our analysis points to a new crisis twitter that is faster, more disorienting, and potentially more shaā¦
Online we have seen many users of X describe their experience of this crisis as different. Some of that may result from the more ambiguous nature of the larger conflict, especially as the news cycle moves from the unambiguous horror of the initial attack to concerns about Israelās response. However, our investigation here suggests an additional factor: in Muskās short tenure as owner of the platform, a new set of news elites has emerged. These elites post frequently, many sharing unvetted content and emotionally charged media. While sharing no single political ideology, many embrace a similar culture of rapid production of unlinked or ambiguously sourced content, embracing a āfirehose of mediaā ethos that places the onus of verification on the end-user. This occurs in an environment that has been shorn of many of the ācredibility signalsā that served to ground users in the past ā checkmarks that indicated notability, fact-checks distributed through Twitter Trends, and Twitter/X-based labeling of deceptive content. Even fundamental affordances of the web ā such as simple sourcing through links ā have been devalued by the platform, and, perhaps as a result, by the new elites that now direct its usersā attention.
The IRS crackdown on high-end taxpayers is already raking in millions in back taxes ā hereās how much
The IRS crackdown on rich taxpayers is already raking in millions in back taxes - MarketWatch
One case involved an alleged tax cheat who spent $502,000 on gambling, the IRS says.
Thatās on top of $38 million in back taxes the IRS has already collected from 175 other millionaires. It brings the recent rake-in of back taxes from wealthy households to $160 million, IRS Commissioner Danny Werfel said.
āThe funds that weāve collected should give you a fairly good idea of how much money is on the table for us,ā Werfel told reporters, highlighting how the IRS is using money from the Inflation Reduction Act.
Accidental Spies: Amazon Ring Owners May Be Unknowingly EmailingĀ Police
Accidental Spies: Amazon Ring Owners May Be Unknowingly Emailing Police ā The Markup
An investigation by The Markup found that Ringās social platform funnels suspicions from residents in Whiter and wealthier areas of Los Angeles directly to police
Neighbors has built a forum in which private citizens can monitor one another in service of keeping neighborhoods āsafe,ā as the company puts it.
That raises important questions: safe for whom, and from what? While homeowners may believe their cameras and posts are preventing break-ins and theft, some research has shown that surveillance is a poor deterrent of such property crime. And by trusting their cameras to keep watch for them, users render themselves blind to the ways in which community surveillance breeds paranoia, perpetuates prejudice, and puts people at heightened risk of police or vigilante violence.
Why Meta is getting sued over its beauty filters
Why Meta is getting sued over its beauty filters | MIT Technology Review
A new sweeping lawsuit takes aim at various Meta features that allegedly endanger children and their privacy. It could have a big impact on child online safety.
The case against Meta specifically calls out visual tools āknown to promote body dysmorphiaā as one of the āpsychologically manipulative platform features designed to maximize young usersā time spent on its social media platforms.ā It also says that āMeta was aware that young usersā developing brains are particularly vulnerable to certain forms of manipulation, and it chose to exploit those vulnerabilities through targeted features,ā like filters.Ā
This new data poisoning tool lets artists fight back against generative AI
This new data poisoning tool lets artists fight back against generative AI | MIT Technology Review
The tool, called Nightshade, messes up training data in ways that could cause serious damage to image-generating AI models.Ā
Artists who want to upload their work online but donāt want their images to be scraped by AI companies can upload them to Glaze and choose to mask it with an art style different from theirs. They can then also opt to use Nightshade. Once AI developers scrape the internet to get more data to tweak an existing AI model or build a new one, these poisoned samples make their way into the modelās data set and cause it to malfunction.Ā
Poisoned data samples can manipulate models into learning, for example, that images of hats are cakes, and images of handbags are toasters. The poisoned data is very difficult to remove, as it requires tech companies to painstakingly find and delete each corrupted sample.
VTubers have reached their inevitable conclusion
Should you join a VTuber agency? We break it all down - Polygon
Many still want to āgo proā with a VTuber agency
Mugi says that if VTubers took cues from other content creators and explored options like lore analysis videos or short-form reviews, the scene wouldnāt be as stagnant. And like other VTubers, Mugi has dreams of going corporate. Already relatively successful, having created her own storefront that hosts collaborations and merchandise featuring other VTubers and artists, she has auditioned for several major agencies. She says that one agency asked if she would close down her business if she passed the interview phase and became one of its talents.
The Worldās Most Popular Painter Sent His Followers After Me Because He Didnāt Like a Review of His Work. Hereās What I Learned
https://news.artnet.com/opinion/devon-rodriguez-parasocial-aesthetics-2380960But the spirit of the article is clearly, if you read it, the exactĀ opposite of what Rodriguez seems to think it is: Iām arguing that traditional art circles should take the phenomenon seriously, and think through what is really going on with this kind of art career. Rodriguez has a lot of cultural cloutābut the fact is that most people who go to museums and galleries or who regularly read about art havenāt heard of him.
Pity the Landlord
Pity the Landlord | Charlie Dulik
Landlords big and small have cast themselves as victims of a tenant-led assault on their right to profit.
ā¦ landlords, especially the smaller ones, have begun repurposing the identitarian language of systemic oppression in a relentless public campaign against rent regulation and eviction protections.
And theyāve been successful: for four straight years, tenant-backed bills have failed to reach a floor vote in the state legislature; the stateās pandemic era eviction moratorium was abruptly scuttled; landlord groups have launched bold new campaigns to circumvent rent regulations. The president of the RSA, the largest of the stateās landlord organizations, has called the effort āone of the most robust public relations campaigns in the history of [the New York real estate] industry.ā
Amiga ASCII art
https://blog.glyphdrawing.club/amiga-ascii-art/
In my thesis, I study Amiga ASCII text art. Amiga ASCII is a form of text art where the composition of letter characters set in the Amiga computer's font forms a two-dimensional representation or image. The Amiga scene is a subculture of computer enthusiasts that was popular in the 1990s. At its core are the logos and other visual materials created for BBS systems and the competitive rivalry among artists who create text art over their image-making prowess.
I delve into the creation of Amiga ASCII art and use it as a method to develop my visual expression. I define text art as one style of visual art, which includes ASCII art and its sub-genres, and I briefly describe the history of text art and ASCII art and the subculture associated with it. In my thesis, I focus especially on Amiga ASCII text art and create a collection of images from my experiments with this image-making method.
Note from 2023:
This is my BA thesis I wrote in 2015. The original is in Finnish, but I finally managed to translate it to English.
This thesis is just a bachelors thesis, so it's far from being comprehensive. But as far as I know, it's still the only study of Amiga ASCII art. I have included some comments here and there from my 2023 perspective where I thought it needed them.
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My pal Dougās studio Die Gute Fabrik just released their newest game, Saltsea Chronicles. Itās a narrative storytelling game set in an antediluvian future-past and it is charming as hell. I am but a few hours into it and really, really enjoying it. Highly recommend.
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Two things:
A new Fun City last Friday! The gang attempts to best their strongest foe yet after their ship [is] crashed into a houseboat multiple miles off the coat of Newport, Rhode Island. They. are. struggling. More than one of them ends up in very dire straights.
Mentioned also at the top of this post: I have minted a second mailing list, which you can sign up for here. This list is for updates on my work only. Less often than the updates you get here (in theory, lol), but with a little more detail, and none of this other stuff. Some large-ish updates coming in the next week or so, including details on This New Show Iāve Starting Putting Together, and some fun live and in person Art Stuffā¢ around the city this fall.
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Thatās what I got for you! I hope you liked it, because thereās a bunch more where that came from on the way. And if you did, consider tellinā your pals about this here little mailing list: