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February 5, 2025

Lessons of a beginner potter

☾ Written on the Last Quarter in Taurus.

Hello and happy belated Lunar New Year! Welcome to the year of the Wood Snake.

It's me, wriggling back out of the forest after some quiet time. Time spent centring, recovering, and reshaping relationships. Including, my relationship with writing.

I'm renewing an intention – that what I share here, with you, comes from a place of desire, devotion, and diligent practice. So, today, I decided to write about pottery.

I started pottery classes a few weeks ago with a local co-op, around and humming like a wheel since the late 1960s. I was on the waitlist for over a year and this winter it was finally time to take it up.

Pottery is teaching me many things, perhaps most of all, how to create and shape a vessel. It is good practice for feeling out what a piece of clay wants to be and holding those boundaries.

Protecting the time, space, and energy to sustain a creative practice is one of my boundaries. I love trudging through the snow once a week to go do that; to flop and flourish with people as we learn a new skill. It is a gift.

I hope these lessons are too. :-)

Remember,

There are many shapes between broken and whole.

Do not get attached to anything you make.

Clay is forgiving.
It can be reshaped and reused, over and over again.
Basically, anytime until it has gone through the kiln.

Even after the kiln, it is possible to repair the break lines, chips, and gaps.

It is okay to let it be broken and recycle the pieces too.

Sometimes, trimming helps us rediscover our shape.

It is crucial to know when to stop.

Going past this, to smooth out 'imperfections' can compromise the vessel. Make it collapse.

There is usually more space to expand, to open, than you think.

Move with your hands connected.

A wooden stool with red legs stands atop a pottery wheel table, on front of a darkened arched window. It is an old window has four panels, with a cross in the middle, forming an point at the top.Beside it sits a sturdy grey filing cabinet. White plaster walls frame the scene.
A quiet and patient nook.
Two unfinished pieces of pottery – a shallow bowl and a cylindrical egg cup – are flipped upside down to dry on a pale yellow shelf. The name Sadie is carved into the bottom.
A bowl and an egg cup, on their way to bone dry.
An unfinished, round piece of pottery sits atop a round piece of wood particle board. The pottery is dove grey with lines from the potter's hands. A small square white slip of paper on the board says S A D i E  in blue ball-point pen.
The first vessel I made where it really clicked.

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