planting clover
martinesque
by manjula martin
hi,
and here's writer Ta-Nehisi Coates talking about his impressions of visiting the West Bank, going to places i have also visited; his summary echoes, almost word for word, what i often say to people who tell me "it's complicated."
it's autumn. maybe winter? there was frost on the road down the hill today.
my book comes out in deeper winter, in six weeks. january 2024. last month, it received a starred advance review from Kirkus. if you don't know what that means, absolutely do not spend any of your one precious life learning about it, it is basically an insidery publishing biz signifier but it's an excellent omen! i also recently did an interview about living with fire, my first press in the run-up to publication. it was a good warmup. the book is about, variously, wildfire, climate change, natural history, chronic pain, California, women’s bodies, and gardening. also it's maybe a love story? so it's good for me to be thinking more precisely about what i want to be saying about all that in public. and you can hear me say it at one of many events this coming January and February, dates for which are now finalized and up on my website. it's gonna be great, i've lined up some brilliant conversation partners to keep me company at independent bookstores all over the west coast. (other regions, you’re not on the tour calendar yet but i hope you will be later in 2024! this is much more than a california book, please invite me to all your book things!))
last week, in the real world, otherwise known as the garden, Max and i spent the morning before the first big rain pulling up dead plants and irrigation hoses. it was the first time we've gardened together, at the same time, in a while. the sun barely makes it over the redwood trees at this time of year, it's lower every day but when i am working in the garden i can sit on the loungey lawn chair to rest and close my eyes and feel almost too hot, even though the low, amber quality of the autumn light on my face betrays the coming turn. the gardening to be done right now is mostly getting ready for winter. cutting back. mulch. right now, the roses and fruit trees still have leaves; the apples will drop theirs soon, probably; you never know with the roses. in california, sometimes the leaves don't drop, and when that happens we walk around and strip them off by hand, to give the plants a little rest before spring. it wasn't very hot this autumn, the way it usually is. it is going to rain.
my book comes out in deeper winter, in six weeks. january 2024. last month, it received a starred advance review from Kirkus. if you don't know what that means, absolutely do not spend any of your one precious life learning about it, it is basically an insidery publishing biz signifier but it's an excellent omen! i also recently did an interview about living with fire, my first press in the run-up to publication. it was a good warmup. the book is about, variously, wildfire, climate change, natural history, chronic pain, California, women’s bodies, and gardening. also it's maybe a love story? so it's good for me to be thinking more precisely about what i want to be saying about all that in public. and you can hear me say it at one of many events this coming January and February, dates for which are now finalized and up on my website. it's gonna be great, i've lined up some brilliant conversation partners to keep me company at independent bookstores all over the west coast. (other regions, you’re not on the tour calendar yet but i hope you will be later in 2024! this is much more than a california book, please invite me to all your book things!))
there's a part about weather in my book that i had to go back and edit because last winter, which was wet, people who don't live in the Western US kept saying, i don't understand how there can be unprecedented destructive wildfires and drought there when all i hear about right now is unprecedented destructive rain/floods, so is the whole wildfire thing over now? and i realized that i needed to be a bit more explicit about the fact that extreme weather, as a result of climate change, means extreme. it doesn’t necessitate any particular flavor of extremeness. the weather of climate change might be everything, anything, everywhere, often at unexpected times. and the pendulum between extremes swings faster, further, more wildly. it is the stuff that stymies pundits.
so i cut back all the echinacea flower stalks, which had a short bloom this fall because it wasn't hot. i cut to the ground the long-spent peony bushes whose leaves have been gathering sunlight all summer, and a few of the dahlias (it was a terrible year for dahlias here! rather depressing!). then i dragged a rake across the big lawn, which we call "the meadow" but it's not quite up to that name yet. we're working on it. i walked around the roughed-up meadow tossing seeds in my wake: california poppy, farewell-to-spring, a bag of "sonoma splendor wildflower mix" from the local nursery. then i sowed clover all over. the clover is part of my annual, doomed attempt to find something that can outcompete the lawn grasses planted by the home's previous occupant. the type i sowed this year is called "Palestine strawberry clover." that was a coincidence but it didn't feel like one. (strawberry clover is originally native to the mediterranean, hence the geographic reference in its name, and it is introduced and cultivated here in the USA as a cover crop and ground cover. its flowers are pinkish and round, hence the fruit reference.)
when i began drafting this newsletter i had intended for it to be about blurbs. blurbing. the process and expectations involved in seeking and receiving endorsement from other authors. the use of that word as a verb. i also wanted to write to you about the amazing and intense experience of narrating the audiobook of my book, which i just wrapped up and which changed my perception of text — text itself, as well as narratives — for the better. and i will tell you about that stuff, soon, but today i'm not feeling it.
i suppose at this point in the anthropocene i should be comfortable with the art of self-promoting artistic products during disastrous times but i'm still not. in theory, now is the time that i am supposed to ramping up my newsletter and "platform" to create buzz and get my "followers" excited about buying and talking about my book. i'm supposed to be plugging pre-orders every chance i get. following up. circling back. i want to do these things, because i think it's a timely book and because it contains so much of my heart and mind, and i want it to find its readers. and because it's literally my job. but i haven't had much to say lately. like everyone, my heart and mind are busy being horrified and feeling helpless and angry and really, really sad about events occurring between the River Jordan and the Mediterranean Sea. i want to talk about it yet what more is there to say, i want more than anything to be able to do something about the atrocities being committed in Gaza and the West Bank right now, today, as i type this, eating snacks and drinking warm tea and feeling safe alongside my loved ones who are alive and uninjured in my house that has a ceiling and four walls while my government uses my money to send more bombs to kill more human beings.
a family member of mine (not Max, haha) was worried about me publicly making statements about Palestine, they were afraid it would hurt my career, and, well i think they have a mistaken impression of how many followers i have, lol, but i did think a good long while about whether to address this topic in my tiny (mostly about my garden and booky things) newsletter. i am not under any delusion that my tinyletter is going to change anyone's mind about whether or not it's okay to kill fifteen thousand and counting people, and i don’t know that i have anything to say about this that hasn't been said—or yelled—see — this is what fascism does, it makes us fight — it turns our loved ones into strangers — it makes us need to silence each other because to not do so is sometimes even more painful — so instead here's something that Palestinian scholar Edward Said wrote, which i will just leave here for anyone who is reading this part of the email and feeling right this moment like, nooo, please, do not mention this topic, do not say the "g" word, this is not what i signed up for — this is why i mention it:
i suppose at this point in the anthropocene i should be comfortable with the art of self-promoting artistic products during disastrous times but i'm still not. in theory, now is the time that i am supposed to ramping up my newsletter and "platform" to create buzz and get my "followers" excited about buying and talking about my book. i'm supposed to be plugging pre-orders every chance i get. following up. circling back. i want to do these things, because i think it's a timely book and because it contains so much of my heart and mind, and i want it to find its readers. and because it's literally my job. but i haven't had much to say lately. like everyone, my heart and mind are busy being horrified and feeling helpless and angry and really, really sad about events occurring between the River Jordan and the Mediterranean Sea. i want to talk about it yet what more is there to say, i want more than anything to be able to do something about the atrocities being committed in Gaza and the West Bank right now, today, as i type this, eating snacks and drinking warm tea and feeling safe alongside my loved ones who are alive and uninjured in my house that has a ceiling and four walls while my government uses my money to send more bombs to kill more human beings.
a family member of mine (not Max, haha) was worried about me publicly making statements about Palestine, they were afraid it would hurt my career, and, well i think they have a mistaken impression of how many followers i have, lol, but i did think a good long while about whether to address this topic in my tiny (mostly about my garden and booky things) newsletter. i am not under any delusion that my tinyletter is going to change anyone's mind about whether or not it's okay to kill fifteen thousand and counting people, and i don’t know that i have anything to say about this that hasn't been said—or yelled—see — this is what fascism does, it makes us fight — it turns our loved ones into strangers — it makes us need to silence each other because to not do so is sometimes even more painful — so instead here's something that Palestinian scholar Edward Said wrote, which i will just leave here for anyone who is reading this part of the email and feeling right this moment like, nooo, please, do not mention this topic, do not say the "g" word, this is not what i signed up for — this is why i mention it:
“Nothing in my view is more reprehensible than those habits of mind in the intellectual that induce avoidance, that characteristic turning away from a difficult and principled position which you know to be the right one, but which you decide not to take. You do not want to appear too political; you are afraid of seeming controversial; you need the approval of a boss or an authority figure; you want to keep a reputation for being balanced, objective, moderate; your hope is to be asked back, to consult, to be on a board or prestigious committee, and so to remain within the responsible mainstream; someday you hope to get an honorary degree, a big prize, perhaps even an ambassadorship.
For an intellectual these habits are corrupting par excellence. If anything can denature, neutralize, and finally kill a passionate intellectual life it is the internalization of such habits.”—Edward Said, Representations of the Intellectual
and here's writer Ta-Nehisi Coates talking about his impressions of visiting the West Bank, going to places i have also visited; his summary echoes, almost word for word, what i often say to people who tell me "it's complicated."
i have no other words to share right now; for me, grief is registered most immediately in the body and not the brain. keep throwing seeds on the ground. free palestine. i love you.
-m.
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