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November 19, 2025

#387 The Best Album of 1989, Round 5 Match #123: Beastie Boys vs. The B-52’s

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Hey folks!

First pic: A photograph of a street corner in New York. There is a store called Paul's Boutique on the corner, as indicated by the sign that hangs over the sidewalk to the left. Above the store is a tall brick edifice, presumably apartments. On the sidewalk are clothes hanging from awning as a display, as well as a table with all sorts of objects on it, but difficult to identify any one object. There are two additional signs on the building, just below the brick edifice: "Lee's Sportswear" and "Ben's Shoes.” Second pic: A photograph of the B-52's, tinted with a rainbow of colors, red to yellow to green to blue. They are arranged from left to right, in performance. First is Keith Strickland, a young white man with longish New Wavey hair, playing guitar and smiling. Second is Cindy Wilson, a young white woman wearing a bowler-shaped hat and a very long braid going down her shoulder to her waist. She wears a sparkly coat and is playing a bongo and singing. Third is Fred Schneider, a young white man with short hair, in a suit and tie, holding a microphone in a stand, and facing Cindy, singing to her. Last but not least is Kate Pierson, who has very big red hair that frames her face like a circle. She is wearing a shimmering dress and is singing into a microphone on a stand, and is facing (a presumed) audience.
Beastie Boys, PAUL'S BOUTIQUE vs. The B-52's, COSMIC THING

Today’s Best Album of 1989 match is:

#2 Beastie Boys, PAUL'S BOUTIQUE

Listen on Spotify or YouTube

vs.

#10 The B-52's, COSMIC THING

Listen on Spotify or YouTube

To vote, follow this link to the Google Form. You will need a Google login to vote. If you can’t or won’t have one, let me know ASAP (either through this newsletter, my email [kentmbeeson@hey.com] or on the Best Album Brackets Bluesky account) and I’ll see what I can do.

Today one Designated Cheerleader, it’s from @renamj.bsky.social and it’s a double DC for COSMIC THING and the already-eliminated THE OCEAN BLUE. Take it away, Rena!

"Fortunately I am not the first person to tell you that you will never die. You simply lose your body. You will be the same except you won't have to worry about rent or mortgages or fashionable clothes. You will be released from sexual obsessions. You will not have drug addictions. You will not need alcohol. You will not have to worry about cellulite or cigarettes or cancer or AIDS or venereal disease. You will be free." - Cookie Mueller (1949 - 1989)

There are very few 1989 albums that evoke nostalgia for me (I turned 5 in '89). Cosmic Thing is one of them. My parents, both of whom passed away recently a few months apart, loved the B-52's and had this album when it came out. When I listened to it in preparation for the 1989
tournament, a few of the deep cuts were instantly familiar to me. Everyone knows the two big hits, but my parents must have played "Junebug" a lot! And one vivid early childhood memory is seeing the music video for "Love Shack" on TV. I don't hate the song though it is overplayed. It's actuallv kind of charming in its raucousness. I think some people have heard it far too many times at white people weddings but you can't blame the B-52's for that! That said "Roam” is clearly the superior single. I dislike the term "life-affirming" but the song evokes that kind of reaction from me.

This is not their best album but it is their big comeback after the tragic death of founding guitarist Ricky Wilson, who died of AIDS at age 32. The recording of Cosmic Thing was a grieving process for the band, particularly for vocalist and Ricky's sister Cindy Wilson. The defiantly queer band addressed political concerns on "Channel Z." And "Deadbeat Club" is a
jubilant tribute to their bohemian days in Athens, GA. All in all it's a fun party record, even if you're sick to death of "Love Shack."

One of the very best albums of 1989 is The Ocean Blue's self-titled debut. Listen to the album completely blind and you might guess that the band is English or Scottish. They actually hail from the chocolate capital of Hershey, PA but clearly adore British guitar pop. (I have fond
memories of going to Hershey park as a kid in the '90s.) The music is just as sweet and satisfying as a chocolate bar. The album begins on a high note with “Between Something and Nothing" and never lets up for 45 minutes, one great song after another. It is catchy and accessible and full of hooks. It has an unfortunate low seeding, maybe because the band is relatively unknown though the are highly regarded in some indie/dream pop circles. If you like jangly indie pop, you will love this. Please give it a listen.

This is an interesting match because it shows two very different sides of 1989. The B-52's are new wave legends who saw major commercial success with two monster singles that were everywhere. The Ocean Blue, on the other hand, are pure 120 Minutes fare, an underground band with a cult following. The B-52's will win short of a major upset, though I certainly support giving the underdog a sympathy vote here. Last month my family had a celebration of life (don't call it a funeral) for my deceased parents in New Orleans. On the plane ride home, I listened to both of these albums back to back as I came
up with the idea for a double DC and it was fitting. My parents had probably never heard of The Ocean Blue but I was listening to them while flying over the Atlantic Ocean (the ocean blue!). Rest easy, Mom and Dad. One last thing: Julee Cruise, whose debut Floating Into the Night I wrote about a few weeks ago, toured with the B-52's in the '90s. She passed away in 2022 and according to her
husband Edward Grinnan:
"She left this realm on her own terms. No regrets. She is at peace... played her 'Roam’ during her transition. Now she will roam forever. Rest in Peace, my love."

Thank you once again for that, Rena. My condolences to you and your family.

Click here to see the current results for the entire tournament, and click here to see the current results for the prediction bracket contest.

Yesterday, #4 The Cure, DISINTEGRATION defeated #5 Nine Inch Nails, PRETTY HATE MACHINE, 198-74-3. Three things: first, while I expected DISINTEGRATION to win, I’m a bit shocked by how badly it thrashed PRETTY HATE MACHINE. Second, with 198 winning votes, DISINTEGRATION now has the title for most winning votes in the 1989 tournament, previously set the day before by DOOLITTLE with 192. Third, the vote breakdown for this match (198-74-3) is eerily similar to that last DOOLITTLE match (192-74-0.)

Thanks as always for the terrific turnout!

Kent

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