Quarterly Q&A, kind of? | Project H&H Updates
Where I've been, about my next book, and some existential AI stuff.

It’s been a while!
I’ve aged since we last spoke! Been abroad! Been to the West Cork Literary Festival! Etc!

Was it a little bit dramatic to send out a blog post announcing three more books, and then dip? Mayhaps. Seventeen years in theatre will do that to you, I guess.
I took two weeks of rest in the sun and read a bunch of books to refuel my brain juice before diving back into writing. I legitimately believe I am most myself when I have space to read for six to eight hours a day. No one lets you sit in the dark with your precious tomes anymore, y’know? It’s not conducive to the Produce-Consume-Rinse-Repeat lifestyle we’ve built for ourselves.
What was I talking about? Oh, yeah. Having the mental space and energy to read books gives me the same feeling as having a big, nutritious, delicious meal when you’re hungry. You get to sit there and enjoy the flavours and textures, and you’re sated without being too full, and then you get to kind of laze about while you digest it all.
By the by, that’s another reason why I think AI regurgitation is overhyped mimicry. It eats and eats and eats, but it can’t digest anything. There’s a reason process exists. It’s all anyone ever asks artists about – “How did you do that?” Chewing is functional, but I also have a brain and tastebuds and memories and and and and–
This is not another blog post about AI (see: ART IS SUPPOSED TO BE A FUCKING CONVERSATION) but it’s been on my mind. How could it not be? It’s everywhere. Every bit of technology I own is trying to convince me to use their brand new AI feature.
Why bother crafting a text to your mom, am I right? Why bother enjoying the sensation of an oil pastel on paper, you’ve got your fingertips pressed against your screen protector, isn’t that much more beautiful? Oh, you’re experiencing chronic feelings of emptiness? Loneliness? Well, why not simulate a conversation? A friendship? A marriage?
(Even as I write this, the autocorrect system continuously suggests incorrect edits. What has happened? How have we ended up here?)
I’ve had a lot of time to read. To think. To write. To speak with other artists, and my loved ones. I feel better for it. That’s my point.
ANYWAY. When I put up my call for Quarterly Q&A questions, every. Single. One. Had to do with Project H&H. Which is so lovely! Thank you! It’s pretty surreal that people are looking forward to my next book. You spend so long keeping your words to yourself, or inflicting them on your friends and family, and then all of a sudden, strangers are like, “So…when’s the next one?”
Because a lot of the questions were similar, I thought it might be better to just give a general update about how the book is going.
I hit a bit of a wall with Project H&H, so I took a step back and looked at The Big Picture. I had sketched out enough of the plot and mood and characters to give me a sense of the overall vibe, but too much ambiguity waylaid me.
That’s alright though! I spent a couple of weeks going over years’ worth of notes from creative writing classes and seminars, and redrew my map.
Project H&H is the third novel I will have written in my adult life, and so far it’s the only time I have felt like I’ve known what I’m doing – craft wise – from pretty much the beginning. A Fix of Light taught me a lot, but I stumbled through draft after draft in the most inefficient, bumbling way.
It was like building a piece of IKEA furniture in the pitch dark. I didn’t know if I was building a table or a bookshelf. I had some parts and maybe two and a half pages of instructions, but they were written in an unfamiliar alphabet.
With Project H&H, I still have to do all of the work, but I know I’m making a chair, and how many screws I’m going to need, so even when it turns out my instruction booklet is missing a couple of pages, I can rely on my experience to carry me through.
Is this an enlightening metaphor, or is it making things more confusing? Sorry. I’m trying to say that writing is going well.
It’s pretty different to A Fix of Light. I wanted to challenge myself with Project H&H, so it’s got a bigger cast of characters, and it jumps back and forth between the past and present.
One of the main characters, [REDACTED], is autistic and non-binary. I’ve been exploring my own neurodivergence, and I’m a big fan of Andrew Joseph White’s badass transmasc autistic protagonists, so I thought I’d craft a similar blorbo of my own.
I’ve injected a lot more plot into Project H&H, but I’m also being careful not to neglect the character-building! I wrote A Fix of Light in a bit of an ass-backwards way by imposing a concrete, external plot after already drafting the more internal, abstract character arcs. This was extremely difficult and I would not recommend it.
This time around, I’m trying to build both the internal and external plots together so that they can enhance and amplify each other. I don’t want to jinx it – knock-on-wood – but so far this method has been much less head-wrecking.
I was going to talk about my adventures in Bantry at the West Cork Literary Festival, but look how long this post is already! You’ll just have to tune in next time…
Slán!