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|k| clippings: 2014-12-31 — musing and meandering

Today, at a time of year when I spend too much time looking backward, a WORD ripe for rehabilitation.

WORK

#151
December 31, 2014
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|k| clippings: 2014-12-29 — silence preserves itself

RIP, Tomaž Šalamun. It has not been a kind year for poets.

WORK

“After This Night”

#150
December 29, 2014
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|k| clippings: 2014-12-27 — could've been light

If I ever change my name, it would probably be to today’s WORD. Or “Eustace.”

WORK

#149
December 27, 2014
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|k| clippings: 2014-12-23 — Look at the bright side

Please indulge me in a longer WORK than usual today. In fact, it’s an entire (short) chapter from what I can honestly call a profoundly moving, poetic book of life…after a flu epidemic has killed 90% or so of the earth’s population.

WORK

#148
December 23, 2014
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|k| clippings: 2014-12-19 — but you...

WORK

“Kelp”

Slowly it blackens on the yellow shore; a hardness thickens more and more in leaf, bulb, flange and rubbery stem along the fringe or scalloped hem

#147
December 19, 2014
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|k| clippings: 2014-12-17 — walking on the moon

WORK

“The Stone Bench”

It’s not enough the neighbor cat climbs it, or pauses. If I thought to lay out milk, we’d be friends. But for the poured concrete

#146
December 17, 2014
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|k| clippings: 2014-12-15 — frankly, my dear...

Today’s WORD comes via Reader C., whose attention and correspondence I appreciate. Also, because of the flurry of email regarding mondegreens (of which misheard song lyrics are an example), I’ve temporarily shared the , in which she coined the term.

#145
December 16, 2014
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|k| clippings: 2014-12-12 — diss-graced

WORK

Although the wind
blows terribly here, the moonlight also leaks between the roof planks of this ruined house.

#144
December 12, 2014
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|k| clippings: 2014-12-10 — 616.89 + 811 = ?

WORK

"But it was not to reassure himself that he had finally determined to look in the library for news of what had happened so many years ago. His anxiety, never entirely soothed during those years, had not focused on the practical consequences of his action. Rather, he had crossed the library’s threshold to discover how he would feel when Lino’s death had been confirmed. From this feeling, he thought, he would be able to judge whether he was still the boy he had once been, obsessed by his own fatal abnormality, or the altogether normal man that he had afterwards wished to be and was convinced he was.

#143
December 10, 2014
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|k| clippings: 2014-12-08 — up is down

I must have read today’s WORD many times but never noticed it. I was gratified to discover that a well-read member of the Clamor felt similarly. My investigation shows it is often confused with “immersion,” which—in one of those linguistic oddities that makes language so fun—is quite the opposite.

WORK

“All the Way”

#142
December 8, 2014
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|k| clippings: 2014-12-05 — emerson emersion

RIP, Claudia Emerson. Another fine poet—and another, by all accounts from friends who knew her, fine person—lost this week.

WORK

Drought

#141
December 5, 2014
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|k| clippings: 2014-12-03 — beard of dreams

WORK

“It seems to me I am trying to tell you a dream—making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams…”

He was silent for a while.

#140
December 3, 2014
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|k| clippings: 2014-12-01 — emptying the wind's pockets

RIP Mark Strand. Indulging in the four prose poems that conclude his recently released Collected Poems seems a fitting tribute to a wonderful writer and—by all accounts—fine man.

WORK

#139
December 1, 2014
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|k| clippings: 2014-11-28 — hidden in the sky

WORK

think: once, a white girl

was kidnapped & that’s the Trojan war.

#138
November 28, 2014
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|k| clippings: 2014-11-26 — Just one more small, lost thing.

WORK

Nat watched them, and he watched the seabirds too. Down in the bay they waited for the tide. They had more patience. Oyster-catchers, redshank, sanderling, and curlew watched by the water’s edge; as the slow sea sucked at the shore and then withdrew, leaving the strip of seaweed bare and the shingle churned, the seabirds raced and ran upon the beaches. Then that same impulse to flight seized upon them too. Crying, whistling, calling, they skimmed the placid sea and left the shore. Make haste, make speed, hurry and be gone: yet where, and to what purpose? The restless urge of autumn, unsatisfying, sad, had put a spell upon them and they must flock, and wheel, and cry; they must spill themselves of motion before winter came.

#137
November 26, 2014
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|k| clippings: 2014-11-24 — the blue bus calling

Today’s WORD arrives nearly simultaneously with the new David Foster Wallace Reader, an author whose final book I’ve left partially unread because I’m not ready to contain the knowledge of having read every word he intended to share with the world.

WORK

#136
November 24, 2014
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|k| clippings: 2014-11-22 — a cave and a bottle of rum

Today’s WORD would be popular if people were honest and used a more accurate term than “misanthropic.”

WORK

#135
November 22, 2014
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|k| clippings: 2014-11-20 — two sleeps, perchance to dream?

Sometimes an incidental line, a throwaway, worms its way into the deepest recesses of my feeble brain. “They scrutinize the small print on packages, wary of a second level of betrayal” is one such sentence, etched into my mental circuitry.

WORK

“The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers. They walk in a fragmented trance, stop and go, clusters of well-dressed figures frozen in the aisles, trying to figure out the pattern, discern the underlying logic, trying to remember where they’d seen the Cream of Wheat. They see no reason for it, find no sense in it. The scouring pads are with the hand soap now, the condiments are scattered. The older the man or woman, the more carefully dressed and groomed. Men in Sansabelt slacks and bright knit shirts. Women with a powdered and fussy look, a self-conscious air, prepared for some anxious event. They turn into the wrong aisle, peer along the shelves, sometimes stop abruptly, causing other carts to run into them. Only the generic food is where it was, white packages plainly labeled. The men consult lists, the women do not. There is a sense of wandering now, an aimless and haunted mood, sweet-tempered people taken to the edge. They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.”

#134
November 20, 2014
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|k| clippings: 2014-11-18 — hooked on phonics

Reading today’s WORK made me think of the poet Jack Spicer’s last words, “my vocabulary did this to me.” Whatever it does, language does to each of us in its own way.

WORK

#133
November 18, 2014
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|k| clippings: 2014-11-17 — art's vorpal blade

The weekly digest debuts this Sunday. If you’d like to switch your subscription from daily to weekly, send an email to chris+weekly@katexic.com and I’ll take care of it. Note: the weekly digest will be lengthy, containing everything from the daily editions. No "best of" or summary items here...I include the items I do for a reason!

WORK

#132
November 17, 2014
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