Johanna Fateman

Harmony Hammond, "FRINGE" (Installation View), Site Santa Fe, 2025. I’m so happy to share Jarrett Earnest’s essay on the great Harmony Hammond this morning,...

Criticism, as a genre of writing and an institution, such as it is, may survive for some years yet—in some form—as a pastime, a “side gig,” and as a death...

Installation view of "Laura Owens," Matthew Marks Gallery. Photography by Annik Wetter. Image courtesy of the artist and Matthew Marks Gallery. My review of...

For TCT, I wrote about An-My Lê at Marian Goodman (excerpt below), Zito Madu (author of The Minotaur at Calle Lanza) reviewed American Artist’s Pioneer Works...

I’ve wanted to write about Rowland’s art since I first encountered it, ten years ago, but somehow it never worked out. Now, I’m kind of glad that I had to...

Today, Monday, January 13, I’ll chat with critic and curator Jarrett Earnest, who I love, on Angelic Transmissions, his radio show collaboration with Leigha...

Marlon Mullen. Untitled. 2016. Acrylic on canvas. 36 × 36″ (91.4 × 91.4 cm). The Museum of Modern Art, New York. Gift of Marie-Josée and Henry R. Kravis in...

Marie Laurencin, La femme-cheval (The Woman-Horse), 1918, © Artists Rights Society (ARS), New York/ADAGP, Paris. First of all, thank you to everyone who...

Sarah Cwynar, Steve McQueen, Stéphane Mandelbaum, Raven Chacon, Juliana Halpert, Morgan Bassichis

First of all, thank you for signing up. If you have a friend who might want to receive these emails, please forward this. (I’m trying to get off Instagram,...

Today for TCT, co-chief art critic John Vincler reviews Pippa Garner at Matthew Brown, Lee Mary Manning at CANADA, and Matthew Barney and Alex Katz at...

Dear Readers, I’m so pleased to publish this substantive response to Kissick’s piece (“The Painted Protest”) on the Critics’ Table at CULTURED. The full...

Paul P., Jes Fan, and Sue Williams