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August 15, 2025

Issue 39: Comic Pages, Future Plans, Events, and More!

Exploring tone, lettering, and ideas!

Jessi Eoin's logo repeated in rainbow colors showing a speech bubble with a pen, a paintbrush, and cane in it next to the words, "Jessi Eoin. Comics. Illustration." in a handwritten font.

Hello hello, friends and good folk!

Hope you’re all doing well and staying cool (or warm) wherever you are in our world! 💖

Just a heads up here at the top that today’s In the Studio section will be sharing some NSFW, horror-fantasy content of a woman in labor in case you need to skip over that section.

I was excited to get news that I am officially listed up on the Azantian Literary Agency’s website!! Ahhh, this is so exciting! Thank you so much to everyone’s congratulations and good wishes, I appreciate you very much! 💖 I’m grateful to be surrounded by so many kind and encouraging people 🥰

A screenshot of Jessi's listing on the Azantian Literary Agency's website. It shows their illustrated profile picture next to a bio that reads, "Jessi Eoin (they/them) is an illustrator and writer who loves making, reading, and talking about comics, and they have come to accept that this is probably how they would be lured by a kidnapper. Their work focuses on uplifting fat, disabled, queer, and trans people, and they're always open to collaborations exploring these identities, especially in a fantasy or horror setting. Jessi's work has been featured in Wizards in Space Literary Magazine, carte blanche, Rebel Mountain Press’s Disabled Voices Anthology, and elsewhere. When not making art, reading comics, or sewing, they can typically be found volunteering as a staff member with the Cartoonist Cooperative." There's more text underneath that reads, "Available for: Book and Comic Covers; Interior Illustrations; Editorial; B+W; Fantasy and Horror Illustrations and Short Comics; Projects of most genres and ages with disabled, fat, queer, and trans characters. Representation: Jen Azantian." Beneath this section is a glimpse of a cut off image from Jessi's comic the (tiny) friend.

Oh, I’ve also decided to add a new section to the newsletter called “On a Personal Note”— I saw it in a quilter’s newsletter I read and thought, “Well, now, if that isn’t a great idea!” I’ll use that space to occasionally share some less work-type things, like my sewing projects or maybe some favorite recipes and such from time to time!

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FUTURE PLANNING!

So! I’ve been thinking about things I’d like to do with the shop once I resolve the tech issue I’m having with it, and I’ve been considering doing some collections on a seasonal basis. Come September, I’m thinking I’d like to start designing a few things for 2026, and I’m hoping to hear from you about your thoughts!

My hope is to create small batches of items that are specific to your interests in an effort to provide you with a wider variety of options while also minimizing waste and keeping this work sustainable. I especially like the idea of doing preorders, but I’m curious what y’all think about them 👀

I also really like how some shops I follow utilize collections of items designed around a central theme, too, and I’ve been daydreaming about making a Halloween collection with a central piece (maybe a pumpkin-gardening witch? 🎃) as an art print, along with a few stickers or a printable garland with elements of that illustration.

Another idea I keep coming back to is a spring collection around the theme of fat, disabled, queer fairies ✨ I could see maybe making a sticker sheet with different species of flower fairies, along with a limited amount of notepads or perhaps a calendar for preorder with each month featuring a different fairy.

I’m curious what your thoughts are! What do you think? Do you like collections like these examples? Do you like preorders as a practice or nah? 👀 Let me know!

SHARE YOUR THOUGHTS! —>

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IN THE STUDIO

I’m loving working on the pencils/inks for my comic Burden when I get the time while working on another project I can’t talk about yet! (But hopefully soon 👀)

The line art is in pink for now because that’s currently my favorite color to work in, but it’ll all be blue later. (Cue the Sleeping Beauty fairies meme: “Make it blue!”)

Inks for page one of the comic Burden. A nude, thin white woman cries out in the throes of labor from her bed. The scream flows all around her, leading the eye down the page from her head to her swollen belly to the vaginal opening. The bedsheets underneath her are soaked through, and she grasps the hand of someone off-page lending their support.

I enjoyed hand lettering the effect for this next spread (lol unintentional pun there). It’s a delightfully disgusting one, and I wanted to give a gross, wet-feeling texture to the letters.

A two-page spread-in-progress showing an up-close look at a lamb being born from a human. Little bits of placenta are attached to the lamb, and a disgusting sound effect of "Shlorp" stretches across both pages underneath the mother's cry as she pushes the lamb out. In another panel, three people look on in horror at the sight, and in another, they stand around the bed silently as the mother lies exhausted on the bed with the lamb between her splayed legs.

I did this by using a brush called Salamanca to write the initial letters, then going over those shapes on a new layer and adding some drips here and there to create the final form of them, like so:

A layer with just pink sound effects isolated against a white background. A brush has been used to paint the letters, and that layer has been lowered in opacity. The layer on top of that outlines the brush marks, turning them into a hand lettered font.

I’ve been trying to improve my lettering, and I keep coming back to one of my favorite letterers as inspiration to play with it: Hassan Otsmane-Elhaou! His website doesn’t contain any examples of his work (🥲), so I linked to a page on Thought Bubble that has a great example!

I’ve also been inspired by my friend Jey Pawlik‘s wonderful event Toning Your Art to Match the Tone of Your Story and have been slowly swatching all of my brushes in Procreate to see which ones I want to use to eventually add tone to Burden. It’s been very fun, and I’m already loving how many brushes I have with some great texture!

A collection of squares with each square showcasing a swatch of a brush as a sample. There are 45 swatches total, each of them labeled with the name of the brush, the size of the brush, and the opacity of the brush used.

Jey’s event is a great one and doesn’t require being a member to watch it, so if you like learning about craft-related subjects as much as I do, I think you’ll enjoy this, even if you don’t make art yourself!

WATCH JEY’S EVENT —>

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IN THE SHOP

A pink graphic with gour squares in the middle showing select scenes from Jessi's various comics available on itch.io. Text reads, "Available on itch.io: disabled fantasy and fat, queer, trans art" above the url which reads, jbeoin.itch.io.

Despite the news last time, my comics still seem to be available for now on itch! And I promise this isn’t a fear-based marketing tactic when I say this, but I genuinely don’t know if/when itch might catch wind of my work and take it down, and with my own shop still waiting for some attention from me, this is the only spot to get my comics at the moment!

So if you’d like to get a copy of any of these for yourself, please keep that in mind. I’m working to find time soon to get my website’s issue fixed, but I have a lot on my plate this month and may not be able to get to it for a lil while longer. (And even then, it’ll still be a risk with Stripe as my payment processor 😅)

GRAB YOUR COPY —>

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AUGUST EVENTS + ONGOINGS

A graphic designed by E.M. Fields announcing the Co-op Summer Camp event titled Alt Text for Comics with Jessi Eoin, whose social media handle is @jbeoin. The event is being held on August 21 at 4 PM Pacific Time / 7 PM Eastern Time on Zoom. The event description reads, "If you've ever wondered or struggled with how to provide alt text or a transcript for your comics, Jessi is here to walk you through it with details, examples, and in-session exercises to make alt text an easy addition to your workflow!" An illustration to the side shows Co-op Mascots Inkling (anthropomorphic inkwell) and Nibford (anthropomorphic dip pen) are roasting a marshmallow over a campfire at night in a forest scene. Nibford is ready to squish the marshmallow between graham crackers and chocolate to make a s'more.

Just a reminder that on August 21, I’ll be presenting Alt Text for Comics for Co-op members live at 7 PM Eastern Time! If you’ve ever wondered how to create and add alt text to your work, come on by, and I’ll help you figure out how to get started! We’ll be taking a look at some examples and doing some in-session exercises together to help you get a lil momentum going, too.

I’ll also be hosting three more events as we wrap up our amazing Summer Camp experience:

  • NIF 2026 Info Session: We’ll be talking about how Co-op members can submit their work and/or get involved with planning our second round of NIF! (August 24)

  • Time to Make Your Comic!: We’re still meeting weekly on Mondays (Eastern Time) to make our comics to music together and then cheer each other on after! (August 18 and 25)

  • Summer Camp Closing + Award Ceremonies: We’re gonna get together for a chill hangout where we share the art we made these nine weeks, talk about our favorite moments, and give out our special prize for those who participated in Summer Camp this year! 💖 (August 31)

Make comics yourself and want to join in these last couple of weeks of fun? Join us in the Co-op! We accept folks at any skill level and experience!

APPLY TO JOIN! —>

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COMMUNITY FEATURE

We Need Diverse Books has a program called Magic Stories Are for Everyone, where they send a bookish care package to trans and queer kids via indie bookstores, which I think is just amazing!

I often reflect on how much different my life would have been if I had had access as a kid to the language needed to understand who I am as a disabled, queer, trans person; I do know, though, how much it still means to me today to see myself reflected in so much more media than ever before, especially in indie spaces.

I can only imagine what kids these days who DO have access to that media and information are going through as they watch it— along with all their gender-affirming healthcare and human rights— get ripped to shreds.

Projects like these must feel like a lifeline to some:

A graphic from We Need Diverse Books, showing an illustration of two queer people dancing together with soft, happy smiles as they hold one another, touching foreheads. Text reads, "Support our newest care package intiative! Help us provide magical stories for trans and nonbinary kids in need."

Any donation amount is accepted, and their website says that every $15 provides a care package to a young reader and that your support helps them:

  • “Donate a special magical edition of our bookish care packages to trans, nonbinary, and queer kids. Each package will include a diverse magical book, fun swag items, and an art card with a link to our new Messages of Hope page to show recipients that they are not alone.

  • Provide grants to aspiring trans and nonbinary creators to aid them on their publishing journeys.

  • Host virtual workshops for aspiring trans and nonbinary creators to guide them on how to get published and hone their manuscripts”

And if you’re a published author or illustrator of any kids’ books, they also have an option for you to submit a message of hope, which I also love!

If you’ve got the ability and inclination, I would love for you to join me in donating to this awesome project! 💖

DONATE TO MAGIC STORIES ARE FOR EVERYONE —>

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ON A PERSONAL NOTE

If you’re new here, you may not know that I also sew! It’s been a really busy couple of months, so I haven’t gotten to work on the small mountain of projects I have lined up for a bit— until recently, that is!

I whipped up this cute lil patchwork zipper pouch for keeping my scrappy EPP stars in as I work on them. It looks and feels a lot nicer than the plastic ziploc bag I had previously resorted to using lol The fabrics are so soft, and I pieced together a bunch of batting scraps I had to quilt to the outer panels, so it’s just so deliciously soft when you touch it.

A patchwork zipper pouch using lots of warm colors and floral and botanical designs, with a few geometric ones in there, too. It looks very cozy, cheery, and fall-like.
A close-up look at the pouch's hand quilting. The stitching is very simple, going up the left and bottom sides of each patchwork square with a gold yellow color that harmonizes nicely with all the other colors.

I used a nice gold yellow thread for a tiny bit of hand quilting, and I love the extra bit of warmth it adds to the patchwork.

A patchwork zipper pouch using lots of warm colors and floral and botanical designs, with a few geometric ones in there, too. It looks very cozy, cheery, and fall-like. The pouch is open, showing a few scrappy, pieced together stars spilling out along with the parts to make them using English Paper Piecing.

I really love these colors and the whole collection’s designs all together. It feels especially nice for a late summer palette as we slowly inch toward fall 🍂 Also pretty pleased that this used up nearly the entire mini charm pack I bought for this project! It used all but two squares, which I am more than happy to add those remaining ones to my scrappy stars.

Do you sew or do any kind of textile art or needlework? 👀

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RECENT READS + FAVORITES

A yellow graphic showcasing six comics from Issue 38's Recent Reads section. The titles are Shimmer Paths; The Ecstasy of Jenny D; The icepit street; Arcane Odyssey of a DreamWalker; GraveBorn; and Swan Songs. The title The Ecstasy of  Jenny D is indicated as a comic created by a Cartoonist Cooperative member.

I lucked out on the last day of July— I remembered just in the nick of time that there was a cool new digital comics fair (now closed, but I’m linking it anyway for remembering next year) called LDC Fair. They had an interesting selection (which are included in today’s issue), and I look forward to seeing more from them next year! 👀

READ RECENT READS —>

And here are some of my favorite things from the past few weeks:

Eating: brie and ciabatta rolls
Watching: Jurassic World: Rebirth (2025) and The Wonderfully Weird World of Gumball (2025)
Experiencing: My first time getting original art from another artist, especially one of my favorite artists: Raahat Kaduji! What an amazing experience to hold an original piece of art that a living, breathing human has created with their own hands! I genuinely got teary-eyed 🥹

How about you? What have been some of your favorite things lately?

Hope this week is kind to you 💖 Thanks for reading!

A graphic shows an illustrated self-portrait of Jessi Eoin with a rainbow and colorful stars next to text. They are a fat, white person with wavy brown hair and blue eyes, furiously scribbling on their tablet. The background is an abstract pink and yellow. Next to their profile image is text that reads, "Jessi Eoin (they/them). Jessi is an illustrator who loves making, reading, and talking about comics, and they have come to accept that this is probably how they would be lured by a kidnapper." Their website is jbeoin.com, and their email address is hellojbeoin@gmail.com. They can be found under the handle @jbeoin on BlueSky.
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