Nov. 21, 2025, 7 a.m.

Taking stock, 2025 edition

Kate Heartfield's Newsletter

Every year in November or December, I write a newsletter about what I published that year, which serves not only as an eligibility post to aid those who read for awards nominations, but also just to take stock. This year, except for a story chapbook I distributed 33 copies of for fun at Can*Con, I didn’t publish any fiction — for the first time since 2011, eep. But I do still want to take stock of my writing this year, as I always find it a valuable exercise, to look back on the year.

It’s a little early — December hasn’t happened yet! — but I’m doing this now, in all honesty, because I’m feeling a little extra November-y. The world is grey, the sun is shirking, and a frustrating home repair project is eating what hours remain after long hours spent on bill-paying freelance work, teaching, and trying to get my novel drafted by deadline. It’s a season for brooding.

One reason I published nothing this year is that I have two books scheduled to come out next year. The other reason is that I have not been writing much short fiction lately. But here’s the fiction writing I’ve done in 2025:

  • Finished drafting my novel The Swordmaster (this was mostly done in 2024, but a bit in 2025.)

  • Revised my novel Mercutio after developmental edits, copy-edits and proofreading.

  • Planned, researched and drafted The Next Novel (that’s the one I’m still drafting, but it should be done next month. This one has required tearing up and starting over a few times, but it’s finally coming together.)

  • Successfully applied for a Canada Council grant for the novella I’ll write next year (this required provisional planning and outlining, and writing the first chapter.)

    A painting of a small room with bookshelfs, dimly lit from a window.
    The Library of Thorvald Boeck, by Harriet Backer, 1902.

It was a busy year: my freelance work was demanding, and I taught a journalism course in both the winter and fall semesters, and taught a couple of smaller writing workshops. Mentored a writer through the SWFA program for a few months. Planned and took a long-put-off family trip to Europe. Spent many hours re-landscaping an overgrown part of our property. Dealt with a long insurance nightmare after a car accident. Got much more active with the union of which I’m a member as a university contract instructor. Volunteered in my community, some of it with my kid and some on my own. Wrote two short profiles for a magazine (the first, about writer Danielle Teller, just came out.) Wrote a newsletter every two weeks. And I read and blurbed nine books by other writers in 2025, if my count is right.

And this year had one bright first for me: I was guest of honour at a convention, at Can*Con.

All in all, more a year of sowing than reaping. I do feel like butter scraped over too much bread at the moment, but the main thing, when I look back at this year, is that I learned a tonne. I haven’t even kept track of how many research books I’ve read for my work in progress but it is a lot. I’ve thought very hard about my craft as a novelist, and I’ve levelled up with all the projects I’ve worked on. So really, one can’t ask for a better creative year than that.

In two weeks, I’ll be back with a newsletter on “my favourite things, 2025 edition”, which should be lots of fun. Thanks for subscribing.

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