
Hayley: This past Sunday, Nomadland won the Oscar for Best Picture, and its director Chloé Zhao became the first woman of color to win the Oscar for Best Director. It was one of a handful high points in a bizarre ceremony that felt like something important, even if it didn't have quite that same Oscars feeling.
I enjoyed Nomadland, which isn't surprising, because it's the kind of meandering and reflective character-driven slice of life movie that I am always drawn to. The reception for Nomadland has been pretty much medium to positive, but there is a commonality among some detractors, mainly that Nomadland made working at Amazon look too appealing.
Of all the things explored in Nomadland, this feels like an odd sentiment to latch on to, mostly because I disagree, but I GUESS I'll expand. The Amazon warehouse scenes in this movie are incredibly bleak. Filming this at an actual Amazon warehouse is impressive, and I'm surprised they were given access to do so. It gives the movie an added layer of verisimilitude, one that is haunting and tenuous. It's pretty much implied that working these seasonal Amazon gigs are terrible, and this implication is made within the thematic elements of the movie. It would be weird if Fern (Frances McDormand) was like, "Hey! Everyone! Let's unionize!" or something. Nomadland is Fern's movie, and it follows Fern's choices.