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September 24, 2025

florilegia #18: behind (and beyond) "desire path"

As I write this, there’s about a week left in the campaign for Golden Apples and Poisoned Chalices, a zine centered on female characters from world mythology. The campaign’s initial goal was reached in less than a day—the myth girlies are real and they are powerful—and it’s been incredible to watch stretch goal after goal get reached, too.

I have three poems in this zine, each in pretty different formats. One is in fragments, directly inspired by Sappho; one is a prose poem; and one is formatted partially as a cascade, paired with an illustration I’m super stoked for readers to see. They’re original poems, but they sprang from an existing source: my story “Desire Path.”

a selection of text. the main text reads "In times of blight, my mind turns naturally toward the time of our greatest such, the lean centuries before Eustafia the Queen of Delight adopted the moniker most beloved among Lykosourans: Pandema. Of all people, Her name proclaims, but in those days, and in that city, She was best known as Eustafia Kepis, Of the Gardens, and Eustafia Talasa, Shaped by the Sea. Strange it seems now to imagine the Goddess with a weather-ravaged face, features worn to anonymity and rituals driven underground; now, of course, we hail Her in each season and drape Her statues in adornments.   Yet it was not always thus, and in my withered season I see it correct to come to Her humbly, to remind myself of Her many faces, to uncover once more the proof of love undying." red text in a script font reads " are cult titles given to Aphrodite. Talasa refers to her sea-born origin, “thalassa.” Eustafia comes from Eustephanos, “richly-crowned.”'
The opening of “Desire Path.”

In January, I wrote in this newsletter about the making of “Cold Spells” and alluded to other neo-myths in that vein. “Desire Path” is another such. It was published in The Mythic Circle this summer, which I was thrilled by, but I felt like I wanted to stay with Krysanthe and her journey to the stars a little longer. Golden Apples and Poisoned Chalices provided a perfect opportunity to explore becoming a constellation through poetry rather than prose fiction.

a selection of text. the poem portion reads "In times of         lean most beloved Goddess with a weather-ravaged face, in my withered season               come." red text in a script font reads "The Sapphic fragment poem "She Of All People" was created from the story text of "Desire Path."'
The opening of “She Of All People.”

The three poems for this zine are more concretely drawn from Greek mythology, the story system underpinning all my neo-myths, than the other Lykosouran tales. References to Athene, the Fates, and other familiar characters are present. But it’s still Krysanthe’s story. “She Of All People,” “Ad Astra,” and “Katasterism” together form a web of imagery and emotion, the journey of a woman to her place in the stars. This is a typical feature of Greek myths, and the common element of my neo-myths. A removal of a human to the heavens is sometimes termed a translation; in LDS theology, the word especially refers to attaining immortality without death.

(There’s also the more humorous example of Bottom and Quince in A Midsummer Night’s Dream.)

In writing these poems, I thought about how “Desire Path”’s themes and actual text might be translated partially into poetry, and how all writing is a translation from our minds and spirits into legible words.

Here’s a sneak peek at artist Marii Byrd’s interpretation of “Ad Astra.” I hope you’ll check out the full zine—it’s going to be great!

partial screencap of a piece of art and poetry pairing. text reads "Ad Astra by Dee Holloway" and then "You drew me as gold wire is drawn, my poor woman's body folded into itself, braided, funneled, used, cleansed, refined, extruded, passing through the eye of the Fates' iron needle." part of the illustration is visible, a woman's head and stars.
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  1. C
    Caro
    September 25, 2025, noon

    I was very intrigued by Golden Apples and Poisoned Chalices so I pledged for the PDF digital version. I’m looking forward to reading it. Well done you!

    Reply Report

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