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March 15, 2024

#feministfriday episode 496 | Algiers

Good morning everyone,

How are you doing? Well, I hope. I promised an exhibition report on the Tate's Women in Revolt. Basically, it was about three exhibitions, each of which I could have been interested in individually but as a whole I wasn't sure it was drawing clear enough throughlines between the different rooms. Also, there was so much stuff to look at. Here is my highlight:

We start with Houria Niati's No to Torture (After Delacroix's 'Women of Algiers'). It's impossible to convey the scale of a canvas in a phone photo, but this one is huge and beautiful and absolutely worth seeing in real life:

No to Torture (After Delacroix's 'Women of Algiers')
No to Torture (After Delacroix's 'Women of Algiers')

Here's an interview with Houria Niati that talks quite a lot about this painting and its inspiration:

“It confronted France just as much as Delacroix himself. The women I presented were fighters, and they were repressed. It was bang in their face, they could not turn away”.

https://www.brainscanmag.com/houria-niati

Love,

Alex.

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