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Five Years with Ruth Ozeki

A hawk perches on a thick white branch attached to a leafless tree. The bird’s back faces the viewer and its beak points toward the right. In the background are many thinner, bare branches against a blue and white sky.

Dear friends,

By the second morning of our five-day Buddhist writing retreat with Ruth Ozeki, “yesterday” felt like last month—nay, last year. (In the best possible way.) Throughout the five days/months/years of To Study the Self: Zen and the Art of Creative Writing, we kept circling back to a passage from Eihei Dōgen’s thirteenth-century essay Genjōkōan:

To study the buddha way is to study the self. To study the self is to forget the self. To forget the self is to be actualized by myriad things.

When actualized by myriad things, your body and mind as well as the bodies and minds of others drop away. No trace of realization remains, and this no-trace continues endlessly.

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#5
November 28, 2025
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Stitches

Woven tapestry showing a noble medieval lady playing a portable organ accompanied by a maidservant pumping the bellows. The women wear colorful gowns and are flanked by a lion and a unicorn holing flagpoles. They stand on a round blue island against a red background covered in woven flowers, foliage, and animals.

Dear friends,

Videochatting with my parents last Saturday, they noted: It’s been a week of 事故 shìgù.

In Mandarin, the word for story/tale/narrative is 故事 gùshì. Flip the characters and you get 事故 shìgù: mishap. Last Monday, I went to the ER to repair a mandorla-shaped gash on my chin after a freak accident in—of all places—the yoga studio.

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#4
November 12, 2025
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Buddha Sings in My Veins

The shadows of four people holding their arms in different positions spells out LOVE onto a sand dune, with a body of blue water in the distance.

Dear friends,

I almost didn’t go to the concert. Even though Jacob Collier has been called a modern-day Mozart. Even though he would be playing with virtuosic mandolinist Chris Thile. Even though they’d be performing with our local symphony under the direction of Suzie Collier, Jacob’s mother. Still, I waffled.

Earlier this year, beloved Roots & Refuge sangha member Judy Nakatomi wrote a letter that weaves Thích Nhất Hạnh’s book In Love and Trust: Letters from a Zen Master with Jacob Collier’s song “Little Blue” in a message for all of us “dear memory keepers, storytellers, poets and dreamers.”

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#3
October 29, 2025
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The Karma of Friendship

Sleeve of silver silk garment covered in tiny black Chinese characters against a background of multiple haloed Buddhist figures, photographed at the Princeton University Library exhibit Forms & Function: The Splendors of Global Book Making

Dear friends,

Biking to yoga in the early mornings after last Monday’s full moon (happy Mid-Autumn Festival! 🥮), I’ve been gazing up at the clear dark sky to see a waning lunar reminder to write to all of you.

To continue a thread from September’s newsletter: After my talk on “The Karma of Friendship: A Buddhist Approach to Writing & Spiritual Care” at the University of Lynchburg, an international student from Afghanistan asked the final question. You’re the first Buddhist I’ve ever met, she said. What is Buddhism’s view on life? Are we here to enjoy? Or does each of us have an appointed mission?

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#2
October 13, 2025
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Welcome to Little Buddhist Days!

A small silver-colored statue of a multiarmed Buddha figure (Tara) sits on a teal-colored fabric book cover next to a block of balsa wood that has the characters 一期一會 (ichigo ichie) burned into it. The background is cherry-colored wood.

Dear friends:

Welcome to the first installment of Little Buddhist Days!

I’ve just returned home from giving a talk in Virginia, and still feel candescent with gratitude for the warm hospitality and open-hearted candor of the students and faculty and staff and community members I met over the course of my two days at the University of Lynchburg.

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#1
September 29, 2025
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