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April 19, 2025

Bethlehem

Dear Friends,

It’s Easter weekend and I am in Bethlehem, the birthplace of Jesus. I traveled here recently from Ramallah. As a US citizen, I am allowed to take a taxi with yellow (Jerusalem) license plates, and to drive on main roads. We passed through two checkpoints that look like toll plazas, except that both inside and outside the booths there are lots of soldiers - young women and men about 18 years old, all slinging machine guns over their shoulders. The armed teenagers looked inside the car, saw me (obviously not from here) and waved us through. Most Palestinians are not permitted on main roads, and their experiences at checkpoints are quite different.

Along the route through the West Bank, we passed Israeli settlements, and saw the separation wall in many places. Known also as the apartheid wall, the racial segregation wall - and by Israelis as the security fence, the barrier is over 500 miles long. In 2004, the United Nations declared the wall to be illegal under international law.

A wall made of tall concrete slabs along the side of a road. The car's side mirror is in the picture, and the sky is blue with clouds
No photos of checkpoints because one doesn’t take pictures of soldiers with machine guns. This is part of the wall seen along the route from Ramallah to Bethlehem. The wall was built on Palestinian land, and it is a large and looming presence throughout the West Bank.

The wall is not a barrier between countries. It snakes throughout the West Bank. It is built on Palestinian land, and it is made from Palestinian land: its blocks are partly made of stone from quarries in the West Bank. In places, it is topped with barbed wire, and it includes tall and imposing military towers for drones and snipers. Israel asserts it is a necessary security measure. The wall separates Palestinians from Israeli settlements in the West Bank. It also separates Palestinians from their own land - from other Palestinian towns within the West Bank, from family members, from schools, even from hospitals.

Soon after arriving in Bethlehem, I enjoyed a delightful lunch at a local restaurant, Karawan, with two young Palestinian men who I met the last time I was here.

Two images of food: the first is a platter of grilled chicke nand meat, with grilled tomatoes and onions; the second is a collection of about a dozen small plates filled with various dips and salads
A delectable lunch at Karawan: grilled meats, along with delicious fresh salads including hummus, beets, baba ganoush, pickled vegetables, coleslaw, tahini, and more.

From where I sat, I could see the wall just outside the restaurant. The imposing eyesore is an obstacle to free movement, and a visual representation of Israeli control of the land and people here.

A concrete barrier wiht barbed wire at the top, and a military tower with 360 degree windows at the top. The wall is part of a parking lot, and has graffiti painted on it
From where I sat in the restaurant, I could see the imposing military presence of the wall (short video here)

Behind the wall and from many places in Bethlehem, you can see Israeli settlements - that is, the illegal Israeli colonies that are part of Israel’s relentless campaign to take over all the land from the river to the sea.

From the parking lot of the restaurant, we could see the settlement of Gilo. Israel confiscated land from several Palestinian towns to build this settlement, which is now home to more than 30,000 Israelis. Under international law, this settlement is illegal, but Israel disputes this, claiming that it is part of the municipality of Jerusalem.

Behind a car, a long wall of tall concrete slabs. In the distance behind that, two collections of buildings forming a small city
From the parking lot of the restaurant, you can see the wall, and in the distance behind that, Gilo, an illegal Israeli settlement

I can see another settlement from my hotel room, Har Homa, with a population of about 20,000. In 1997, the newly elected Benjamin Netanyahu approved the settlement as a way to prevent the growth of the Palestinian city of Bethlehem.

A view out a window of concete buildings with windows and a blue sky with a few clouds. A red arrow points to a collection of buildings, appearing to be a town, in the distance
The Israeli settlement Har Homa, seen from my hotel room. In the words of Ariel Sharon, when he was Israel’s Foreign Minister (1998): “Everybody has to move, run and grab as many [Palestinian] hilltops as they can to enlarge the settlements because everything we take now will stay ours[...] Everything we don't grab will go to them.”

The economy in Bethlehem depends on tourists, and October 7 came just as the city was recovering from Covid. The streets are empty. Not only are there virtually no tourists, but many Palestinians in Bethlehem commuted to jobs in Jerusalem, with permits that Israel had granted them to enter that city for work. After October 7, Israel withdrew those permits, and many people here lost their jobs. If you live near, but not within, a major city, try to imagine being prohibited from traveling there for work (or for any other reason).

THE WALLED OFF HOTEL

The artist Banksy has a hotel in Bethlehem. It’s not the Waldorf, but rather, the Walled Off Hotel. Blocking the view of guest rooms is a portion of the wall that is now painted in clever and creative ways.

Three images painted on all concrete slabs. The first is a stencil of a little girl jumping rope with barbed wire, with the words "children playing with barbed wire".  In the second, a number of slogans artfully painted on the wall:  "Make hummus, not walls", 'From the river to the sea, Palestine will be free" and "Love wins".  In the thid, painted on the same concrete slabs is a painting of Alice in Wonderstand peering through the wall, with the words "Palestinians in Wonderland"
Paintings by Banksy and other artists on the separation wall. This portion of the wall draws tourists. However, as one Palestinian man stated in 2005, ‘We don’t want [the wall] to be beautiful. We hate this wall. Go home.’

Like most hotels and many businesses in Bethlehem now, the Walled Off Hotel is closed. I’m glad that I’d visited twice before, to see the art that is a painful representation of the repressive conditions that Israel imposes on Palestinians in the West Bank.

Three images: The first appears like a regular stainless steel elevator, but on closer look one can see that there is a concrete wall behind the slightly open doors.  Two framed paintings: one of flowers, covered with mesh bars; the other, the frame holds the remains of a torn and burned picture
Banksy’s Walled Off Hotel is an anticolonial statement: a museum, a gallery, a protest, and a forum for dialog and education. The artwork bears witness to the ugly realities of occupation and apartheid. The hotel and museum opened in 2017, on the 100-year anniversary of the Balfour Declaration, in which Great Britain made a promise about land they controlled only through colonial domination.

The hotel also includes a beautiful and powerful museum about the wall. I was struck by this quote, from a 60-year-old man: “I owned this land 30 years. My children grew, married, and had their own children here. There are 18 of us now. A year ago, the occupation forces put a fence in front of my house, then came a wall only 5 meters away. In August 2016, with no warning, bulldozers came and destroyed our home, a closed gate was added to the wall. However, I use the nearby wastewater sewer as a way to get to my land, because I still own olive trees and a small room in which I always stay to prove my presence, despite their attempts to dislodge me and expand the wall. In winter the sewer floods, so I climb the fence or anything else. Most important is to get to my besieged land beyond the apartheid wall, until I can get a key to this gate so that I can move freely into my land.”

I have lots more to share about Bethlehem - including the beauty of Bethlehem University, a visit to a family’s home, and more. Until next time.

Tall concrete barriers topped with barbed wire on the side of a road. Stenciled on the wall are the words: SILENCE IS COMPLICITY
Photo: Dominika Zarzycka. More scenes from the wall here

Salaam,

Nancy

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