Please join us for the Twenty-Third Annual Graduate Student Symposium in Nineteenth-Century Art

Co-sponsored by the Association of Historians of Nineteenth-Century Art (AHNCA) and the Dahesh Museum of Art

Saturday, March 14, 11am–4:00pm Eastern Time (online)

Register here:

tinyurl.com/AHNCAgrad-symposium

Distinguished Respondent: S. Hollis Clayson

Keynote Lecture: Amy F. Ogata

11:00am: Welcome on behalf of AHNCA and the Dahesh Museum of Art

11:10–11:25am: Nathanaël Lapierre, “It must be marble”: Marble, Bronze, and Race in Nineteenth-Century Martinique”

11:30–11:45am: Taylor Van Doorne, “Historicism, Temporality, & Ephemeral Architecture in Restoration France”

11:45–12 noon:  Q&A with S. Hollis Clayson and audience

12–12:45pm: Lunch Break

12:45–1pm: Tai Mitsuji, “Building a Barricade: Manet, Tracing, and the Structures of Political Repetition”

1:05–1:20pm: Nina Reid, “An Englishman in New York. Francis Seymour Haden’s Lectures on Etching in America”

1:25–1:40pm: Q&A with S. Hollis Clayson and audience

1:40–1:50pm: Break

1:50–2:05pm: Isabelle Sagraves, “‘Baptême japonais’: Transformation and the Self in Félix Buhot’s Japonisme Etchings”

2:10–2:25pm: Haley Pierce, “Reevaluating Bonnard through Degas: The Early Bathers”

2:25–2:40pm: Q&A with S. Hollis Clayson and audience

2:40–2:50pm: Break

2:55–3:35pm: Lecture by Professor Amy Ogata

3:35–3:45pm: Q&A with Amy Ogata and audience

3:50pm: closing remarks by Nancy Locke and Michelle Foa

Conclusion of Symposium